Often, the best way to begin interpreting a work of art is to ask good questions of it. The following questions are not trivia prompts with open-and-shut answers to test one’s knowledge of the film; instead, they are meant to spark and sustain thoughtful engagement with the film, whether through individual reflection or discussion in a group setting…Read On
Often, the best way to begin interpreting a work of art is to ask good questions of it. The following questions are not trivia prompts with open-and-shut answers to test one's knowledge of the film; instead, they are meant to spark and sustain thoughtful engagement with the film, whether through individual reflection or discussion in a group setting…Read On
Often, the best way to begin interpreting a work of art is to ask good questions of it. The following questions are not trivia prompts with open-and-shut answers to test one’s knowledge of the film; instead, they are meant to spark and sustain thoughtful engagement with the film, whether through individual reflection or discussion in a group setting…Read On
It is the middle of summer, the season where thoughts incline towards youth. For many, school is just around the corner again and nostalgia is setting in. This month, FilmFisher's writers picked the five times cinema best captured the experience of childhood. Chime in with your own picks in the comments section…Read On
Whenever I reach the end of a season, my film-watching habits spin off in unexpected directions. After graduating from Biola, I went on a random tour through the Alien franchise. After finishing a novel that took a year to write – the longest I have ever spent on a single writing project – I jumped into…Read On
A good adaptation is hard to find. This month, FilmFisher's writers had a different sort of prompt, which required some creativity: they were asked to pick the books they most wanted to see adapted to the screen, and to pair them with the ideal directors for the project. Take a look at the lists below, and chime in with your own pairings in the comments:…Read On
This article has two aims and two parts. First, I want to enumerate the many ways that Disney’s Atlantis: The Lost Empire and Treasure Planet are uncannily similar. Released only a year apart — Atlantis in 2001 and Treasure Planet in 2002 — both are 95-minute action-adventure animated films with a steampunk aesthetic…Read On
With an apparently endless stream of Star Wars media issuing forth from Disney and Lucasfilm, it may sound melodramatic to speak about eras ending. Last December, The Rise of Skywalker brought the 40-years-in-the-making saga of the Skywalker family to a close, only for a new episode of The Mandalorian to hit Disney+ less than a…Read On
Many of FilmFisher's writers have been taking advantage of quarantine to seek out new films that they may not have discovered otherwise. This month, in lieu of an Undefended list, they were asked to pick and briefly write about the best movie they've seen while stuck at home…Read On
Tomas Alfredson’s immaculate John le Carré adaptation, Tinker Tailor Soldier Spy, may be the unsung masterpiece of the 2010s. After garnering a few nominations on the awards circuit and lately making a handful of best-of-the-decade lists (including FilmFisher’s), it seems destined to pass unseen from the public consciousness. This lack of fanfare is sad, though…Read On
Perhaps the most agonizing scene in Saving Private Ryan is Corporal Upham’s (Jeremy Davies) refusal or inability to save Private Mellish (Adam Goldberg) from the soldier who kills him. While perfectly able to do so, Upham slumps in the middle of the stairs, weeping, as he hears his friend calling for help. Although painful, I’ve…Read On
When done well, opening titles can be an invaluable device for setting up a film's mood, themes, interests. This month, the FilmFisher crew paid homage to the largely lost art of the title sequence by selecting their favorites…Read On
Though recent entries in the genre have evinced little interest in exploring it, dual identity is the common thread that unites all of the very best superhero stories, which derive their power not from colorful clashes between heroes and villains but from the tension between ordinary men and their extraordinary alter egos. This tension has…Read On
Lately, I attended a lecture proposing that greed, or avarice, is the central vice – the original sin, if you will – of J.R.R. Tolkien’s Middle-Earth. Each of the books (The Hobbit, The Lord of the Rings, and The Silmarillion) centers on a coveted treasure, and evil springs from the desire of those who lust…Read On
For this month's Undefended, FilmFisher's writers did something a bit different. Since almost everyone is cooped up at home right now, we are offering some easily accessible viewing recommendations to help you sift through the mountains of garbage clogging every streaming service…Read On
Lately, I asked my students which time period they would like to live in. When they pressed me for my own answer to the question, as students do, I quipped that I’d like to live in the late ‘90s or early 2000s, because “I was a child, which means I was happy then.” I found it curious that my students (who, after all, are still children to my eyes) responded with knowing laughter. Why does this sort of joke ring so true? Why do we see the past as happy? More precisely, why do we see the past as containing some inaccessible happiness that cannot be replicated in the present?Read On
This month – in honor of February, that veritable dumping ground of studios' cinematic refuse – FilmFisher's writers picked their favorite underrated, underseen, unknown, unappreciated, and generally unloved films…Read On
It seems to happen every year now. After the Academy Awards telecast has ended and the names of the Oscar winners cease to echo across the internet a few days later, I make a belated New Year’s resolution I only half intend to keep: I will swear off Oscar-watching this year. By Oscar-watching, I mean…Read On
