Films directed by Joel and Ethan Coen
-
The Ballad of Buster Scruggs (R)
The films of the Coen brothers are replete with dark ironies, but few rival the fact that the staunchest moralists working in Hollywood today have been so consistently labeled as cynics or dismissed as nihilists. Their impeccable new effort, The Ballad of Buster Scruggs, is the latest in a streak of masterpieces now over a […]
-
Barton Fink: The Inferno and the Hypocrite (R)
Writer’s block is hell. You sit, every member of your body frozen, your neurons refusing to fire, your fingers refusing to type — and all the while, the awful blankness of the empty page declines to cease its sneering taunt. You lose sleep, lose sanity; your mind becomes a barren desert, a dry and weary […]
-
Hail, Caesar!: Hollywood Meets the Inferno (PG-13)
The religious who live outside the film industry tend to think of Hollywood as a bastion of secular materialism. In their view, directors and starlets throw lavish parties and cruise down Rodeo Drive in search of the next designer purse. Certainly Hollywood has its share of hedonism. However, it is also a deeply spiritual place. […]
-
Hail, Caesar! A Tale of The Christ (PG-13)
Early in Hail, Caesar!, the latest film from Joel and Ethan Coen, protagonist Eddie Mannix (Josh Brolin) speaks to a room full of religious figures: a Protestant preacher, a Catholic priest, an Orthodox clergyman, and a Jewish rabbi. Mannix, a fixer for the fictional Capitol Pictures studio, explains that their biggest release of the year […]
-
What Kind Of A Man Are You? (R)
Speaking of his wife and her brawny boss who is over for dinner, small town barber Ed Crane looks at the two flirting in his kitchen and remarks dryly to us, “I guess Doris liked all that he-man stuff. Sometimes I had the feeling that she and Big Dave were a lot closer than they […]
-
Inside Llewyn Davis (R)
“Hang me, oh, hang me,” sings Llewyn Davis mournfully in the opening scene of Joel and Ethan Coen’s newest film, Inside Llewyn Davis. It’s an appropriately melancholy choice, slyly setting up the film’s abundant use of gallows humor and the travails a hapless protagonist will face. Inside Llewyn Davis follows a week in the life of its struggling […]