The Other Side of the Wind (R)
“The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.” – Andrei Tarkovsky, Sculpting in Time “A fact of life: […]
The Lady from Shanghai (Not Rated)
Orson Welles’ The Lady from Shanghai begins with the sea, roiling and foaming beneath the opening credits. Many films noir are laden with existential anxieties; indeed, fatalism and cynicism are as commonplace in the genre as stylized lighting, bantering innuendoes, and convoluted crimes.
The Magnificent Ambersons (G)
Orson Welles’ movies are generally too good to be simply “issue” movies. Citizen Kane is conversant about “the press.” Touch of Evil touches on “corruption.” The Magnificent Ambersons raises the question of “industrialization.” But the movies always invest more deeply in characters and the strangeness of human behavior. Using an “issue” of the day as […]