All Film Reviews

Go Down, Moses! Exodus: Gods And Kings (PG-13)

The oracles concerning the life of Moses are so perplexing and uncanny that even accomplished preachers bungle over them from time to time, and so someone at 20th Century Fox should have probably realized early on that handing them over to the director of G.I. Jane wasn’t the best move. Some might say Ridley Scott’s best work […]
Dumb And Dumber: Angel Beasts In The House Of Mirth (PG-13)

Let me start by getting myself into a little trouble. I think the best comedy is offensive. I think comedy is, by definition, a kind of offense. Occasionally, people say to me, “I know of this really funny comedian. He’s not dirty at all. Very clean, but very funny.” I have yet to find this […]
Barefoot in Church: Ragamuffin (PG-13)

Most Christians who grew up in the 90s or before know Rich Mullins as the musician who wrote “Awesome God,” but his life was much darker than his most popular song would suggest. Mullins was an ascetic, even a rebel. He trashed phone booths and drank and went barefoot in church. He may have even smoked […]
A Simple Plan (R)

“The finest trick of the devil is to persuade you that he does not exist,” writes Baudelaire. It is the greatest trick of modernity, beginning with the Enlightenment, as well. And, if the various modern social projects from capitalism to communism had anything in common, it was their motivation to convince all of us that […]
Big Hero 6 (PG)

A group of misfits band together to stop an evil, mysterious villain and become an unlikely team of superheroes. No, that wasn’t a one-sentence description for this summer’s Guardians of the Galaxy; it’s a one-sentence description for this fall’s Big Hero 6. Big Hero 6 focuses on child prodigy Hiro (Ryan Potter), who is encouraged […]
Whiplash (R)

“I’d rather die drunk and broken at 34 and have people at a dinner table talk about me than live to be rich and sober at 90 and nobody remember who I was,” says Andrew Neyman (Miles Teller), the protagonist of Damien Chazelle’s sophomore feature film Whiplash. Andrew wants to be a great drummer – like […]
Interstellar : Do Not Rage (PG-13)

“Do not go gentle into that good night,” says the old scientist. “Rage, rage against the dying of the light.” These lines, repeated throughout Christopher Nolan’s film Interstellar, are used to signal a fight for survival. Humanity is on the verge of starvation; abuse has broken the earth and blight has wiped out all crops […]
Kirk Cameron’s Saving Christmas (PG)

Having spent the last several days reading reviews of Kirk Cameron’s Saving Christmas, and now sitting down to write my own take, I am reminded of the 2000 presidential election in which both Bush and Gore hired teams of lawyers to sue one another over the results before the votes were even cast. Saving Christmas […]
Ace in the Hole (Not Rated)

When Chuck Tatum rolls into Albuquerque, his busted car is being towed to a mechanic, but he is nonetheless behind the wheel, casually reading a newspaper. A bemused, smug expression Tatum wears suggests he is enjoying the ride. I could get used to this. Something is broken, but that brokenness has made his life a little […]
Nightcrawler: It’s A Free, Free, Free, Free Country (R)

Early in Nightcrawler, Lou Bloom sits with his back against a palm tree, staring at a white sand beach under the California sun. Behind him, a bicycler dismounts and chains up his bike. Bloom smiles. The scene cuts to Bloom pawning the same bike. In any other film, such a scene would stretch our credulity. […]
Fury (R)

The most memorable character in Fury is Don Collier, or “Wardaddy,” the weathered commander of a tank – the eponymous Fury – in the final days of World War II. Wardaddy (Brad Pitt, exceptional in a role that nevertheless falls short of his best work) is a man of contradictions: he emanates grim, detached pragmatism […]
John Wick: A Lot Of The Old Ultraviolence (R)

My qualms began with the poster. The show hadn’t even started. The film is called John Wick and the tagline is, “Don’t set him off.” The latest Keanu picture sits at the end of a long line of pun-titled actions films, like Max Payne or The Dark Knight. The title brings together the identity of […]
The Mosquito Coast: The Origins of Totalitarianism (PG)

Quite a few more people have seen Peter Weir’s Witness than his The Mosquito Coast. Perhaps, this is because watching a movie about the charms of tradition is easier than watching one about the terrors of modernity. But both are messages that we need to hear. After all, being wise as a serpent is as much an injunction as being innocent as a dove.
The Judge (R)

Light is a universal symbol of truth. Though we associate it with warmth and openness, light carries a burden of pain as well. Stare into a floodlight and your eyes will water. Lasers—concentrated beams of light—can burn and cut as well as repair. Sometimes a light is so blinding that it obscures all but itself. […]
12 Angry Men (Not Rated)

Abraham Lincoln once said, “Mercy bears richer fruits than strict justice.” The opening shot of 12 Angry Men lingers on an inscription that reads, “Administration of justice is the firmest pillar of good.” This would seem to imply Men is a story primarily about justice. In fact, it is about mercy, or rather, that peculiarly American […]
Belle (PG)

It is a truth universally acknowledged that Jane Austen-era dramas attract large and devoted audiences. Add to the mix a real-life heroine who is the daughter of a British aristocrat and African slave, and the potential for tear-jerking, romantic moments grows exponentially. If only Belle, directed by Ghanaian Amma Asante, had a clever script or […]
Gone Girl (R)

For a film which depicts one of the more grotesque murders in recent cinematic memory, the most terrifying moment in Gone Girl is nothing more than the film’s hero being asked a few seemingly mundane questions about his missing wife by a pair of bored cops. Shortly before noon, on his fifth wedding anniversary, Nick […]
Locke (R)

In The Christian Future or the Modern Mind Outrun, Eugene Rosenstock-Huessy suggests that if you want to know a man, you have to talk to him on the drive to work. The Modern world has drawn thick, heavy lines between the home and the workplace, dividing a man’s livelihood from his bedroom, his office from […]
No Good Deed (PG-13)

No Good Deed is a genre piece pleasantly confident within its limitations. Its direction, script and acting all equally disclose an unimaginative professionalism that bears comparison to any number of films of a similar mold. While it must be admitted that the break-in suspense flick is hardly a genre with many permanent classics (the Audrey […]
Calvary (R)

Collective guilt might be unjust, but sometimes it is inevitable. That, at least, is one of the conclusions to be drawn from Calvary, John Michael McDonagh’s drama about the clerical abuse scandal which, ironically, does not feature a single frocked predator. This is because Calvary is not about the bad priests who caused the scandal, but about a single good priest left to deal with its consequences.