All Film Reviews

Tomorrowland (PG)

In the opening minutes of Tomorrowland, a young boy shows us his homemade jetpack. It is meant to be fun and inspiring, but has one problem: it doesn’t work. It’s always nice when a movie hands you a metaphor for itself. It’s not nice when that movie breaks your heart in the process. There may […]
The Importance of Being Poppy : Happy-Go-Lucky (R)

The opening scene of Mike Leigh’s shamefully overlooked Happy-Go-Lucky (2008) is a master class in establishing a character. Poppy, one of the great female characters in cinema, is introduced riding her bike. Her course is a wobbly wheeled delight, she’s dressed eccentrically and smiles frequently, but what is most noticeable is her full-eyed wonder, her […]
Rich Hill: A Look at Poverty Before It was a Statistic (Not Rated)

Before the collapse of industrial empires like Detroit, there was rural America. And rural poverty has been forgotten for much longer than the most excessive architectural subjects of ruin pornography have existed. Andrew Droz Palmero and Tracy Droz Targos’s Sundance documentary, Rich Hill, is a reminder of a whole culture that is rarely found in […]
It’s A Mad, Mad, Mad Mad Max (R)

It’s hard to appreciate paganism properly. I can’t think of many convincingly pagan characters from motion pictures, because most cinematic pagans are nothing more than Republicans or athletes in togas. They talk like us, think like us, dress like us dressing like pagans, opine like us. Our ancient Greeks are suffragettes and our ancient Egyptians […]
Avengers: Age of Ultron (PG-13)

Halfway through Avengers: Age of Ultron, the eponymous robot waxes poetical and says to a few of his cronies, “Everyone creates the thing they fear.” It’s possible that this line was added by the writer and director, Joss Whedon, as an indication of how he felt about this movie. In many ways, Ultron is not […]
Ex Machina (R)

Ex Machina derives its title from the Latin “Deus ex machina,” meaning “god from the machine.” The film’s removal of God from its titular equation is apropos, as is the allusion to classical tragedy. In this polished directorial debut, Alex Garland (writer of 28 Days Later and Sunshine) has crafted something of a modern Greek […]
Song of the Sea (PG)

Come away, O human child To the waters and the wild With a fairy, hand in hand For the world’s more full of weeping than you can understand. This quote from Yeats fittingly opens Tomm Moore’s Song of the Sea, which seeks to understand a world full of weeping through the eyes of a human […]
Chantal Akerman’s News From Home (Not Rated)

I write this on a train, returning home after four days in New York City. In the last five years, I have toured three high school classes through the Metropolitan, the Cloisters, and the smaller museums of Manhattan, like the Morgan and the Frick. While El Greco and Fra Angelico’s Adoration scenes are true and […]
The Material Fix Fails The Spiritual Crisis: It Follows (R)

Let me overstate the case: at least so far as Hollywood is concerned, horror is the one genre which yet thrives. I’ll come to back this in a moment. I once had a friend who had the awful job of reading unsolicited scripts submitted to a major Hollywood studio. All the scripts he read were […]
Defying The Elder Zosima: Going Clear (Not Rated)

Before Orthodox Christians receive the Eucharist, they confess, “Of Thy Mystical Supper, O Son of God, accept me today as a communicant; for I will not speak of Thy Mystery to Thine enemies, neither like Judas will I give Thee a kiss; but like the thief will I confess Thee: Remember me, O Lord in […]
Mercy Rule: Ice Cream For Your Darlings (Not Rated)

Praising Mercy Rule for what it doesn’t get wrong is a fairly straight forward task. Praising the film for what it gets right is a bit trickier. As with most “Christian films,” Mercy Rule was shot on a small budget and with few recognizable faces, though the film lacks an altar call, a conversion and […]
A Player that Struts and Frets: Birdman Or (The Unexpected Virtue of Ignorance) (R)

“Birdman is the thing with feathers,” to adapt a line from Emily Dickinson to describe Alejandro González Iñárritu’s film Birdman: Or (The Unexpected Virtue of Ignorance). The Birdman perches in the soul of Riggan Thomson, played by the indomitable Michael Keaton, and functions as hope, the spirit rising above the quotidian. There is also a […]
Chappie (R)

Whither Blomkamp? Chappie is the third feature-length film of South African director Neill Blomkamp, and, sadly, a disappointing attempt to reheat most of the ingredients of his acclaimed debut District 9. In that thoughtful and naturalistic variation on the familiar aliens-invading-earth premise, Blomkamp revealed a considerable gift for evoking pathos with the least likely characters: […]
The Americans: The Best Show on Television (Not Rated)

The German philosopher Eugen Rosenstock-Huessy, in effort to show the pervasiveness of Christ’s Crucifixion in culture and as an axiom in social life, used the “Cross of Reality” to describe the suffering at the center of human experience. An actual Cross is key, not just as a symbol of anguish, but in form. Life does […]
Kingsman: The Secret Service (R)

With a film as superficially slick and fun as Matthew Vaughn’s Kingsman: The Secret Service, it’s mightily tempting to view the film on an accordingly superficial level, judging it based on its shallow pleasures and surface flash – and certainly, there are manifold pleasures to be enumerated here. One could list off the film’s many […]
Welcoming the Masses?: The Good Lie (PG-13)

The beginning of The Good Lie plays like a documentary. Sudanese children frolic in a close-knit village, their words translated on the bottom of the screen. Two brothers play a game to memorize the names of their ancestors, and they tend their village’s cattle herds together. Suddenly, a troop of Northern Sudanese fighters brutally massacres […]
Kingsman: So Much Action, So Few Returns (R)

Colin Firth has a reputation for playing the underdog. He is an urbane actor and generally makes intelligent decisions in the roles that he plays. But, since his role as Mr. Darcy in the Pride and Prejudice miniseries 20 years ago, he has made a career of portraying a man in an uphill battle, sometimes […]
What Kind Of A Man Are You? (R)

Speaking of his wife and her brawny boss who is over for dinner, small town barber Ed Crane looks at the two flirting in his kitchen and remarks dryly to us, “I guess Doris liked all that he-man stuff. Sometimes I had the feeling that she and Big Dave were a lot closer than they […]
Full of Rag Water and Bitters: Blue Ruin (R)

You’re full of rag water and bitters and blue ruin and you spill out -Tom Waits, 9th & Hennepin The star-crossed lovers are dead when the movie begins.There was a story of love, adultery and murder left aside. There were years of trauma skipped over, the dissolution of one family and the rallying and recovery of […]
Where the Violent Bear It Away: A Most Violent Year (R)

In a decadent society, decency is a sin, and it is one of the few that is unforgiveable. This is a lesson learned by Abel Morales (Oscar Isaac), the borderline hero and heating oil entrepreneur at the center of J. C. Chandor’s A Most Violent Year, although he insists on learning the hard way. Adversity is […]