All Film Reviews

Falling Down (R)

I used to live about three miles from where I worked, which is close enough, although twelve stoplights separated the front door of my house from the front door of my place of business. On the wrong afternoon drive home, the fact that Cain’s first great project after slaying his brother was to build a […]
North by Northwest (Not Rated)

North by Northwest is the first of its kind. Released in 1959, it is the story of advertising executive Robert Thornhill (Grant) being mistaken for one George Kaplin by a powerful crime lord. Within the first 15 minutes Thornhill is kidnapped, questioned, blackmailed, forced to drink an entire bottle of bourbon, and placed drunk in […]
Pulp Fiction (R)

Nobody ever goes to the bathroom in movies. As strange as amateur comedians seem to find this, it’s entirely reasonable from a storytelling perspective. It may not be completely realistic, but good stories seldom are. Quentin Tarantino’s Pulp Fiction is probably the most famous exception to cinematic convention on toilet usage, with no fewer than […]
The Big Lebowski (R)

Part One. Glance around academia.edu and you’ll find a few articles on the Coen brothers most popular film with titles like “’This Aggression Will Not Stand’: Myth, War and Ethics in The Big Lebowski,” as well as “The Big Lebowski, ritual and (imposed) narratives of the self.” In the last three years, over a hundred […]
Dawn of the Planet of the Apes (PG-13)

Thomas Hobbes argued that the natural state of human affairs is one of universal conflict—all against all, neighbor against neighbor. That he failed to apply this dictum to hyper-sentient apes can be excused as the myopia of the seventeenth century. One escapes this warlike state of nature—perpetual war with one’s neighbors—says Hobbes, by banding together with […]
Network (R)

It has been 38 years since Howard Beale shouted “I’m mad as hell, and I’m not going to take it anymore!” at a television camera. The mood comes and goes, but America is still mad as hell, though it is not quite sure what it is unwilling to take—rising crime, unemployment, government healthcare, government shut […]
Lucy (R)

As a student of the life sciences, I’m somewhat baffled by the persistence of the “ten percent” misconception. The idea that humans only use ten percent of their brains seems entirely implausible not only under the basic principles of evolution, but empirical study of the brain has thoroughly debunked it. Yet the misconception persists, and its […]
Jaws (PG)

When you think of Steven Spielberg’s greatest disciple, you probably think of Robert Zemeckis. You probably don’t think of David Fincher. However, if you were unlucky enough to see The Girl With the Dragon Tattoo or Se7en, you might find the following Fincher quote rather telling: “I don’t know how much movies should entertain. To […]
Die Hard (R)

In 1994, Umberto Eco published an essay entitled, “Casablanca, or, The Clichés are Having a Ball.” The novelist expounded on the greatness of this classic film for its incorporation of every possible stock character in Western fiction into a single narrative. Nearly every speaking part taps into some standard, some archetype. Star Wars is perhaps […]
America: Imagine the World Without Her (Not Rated)

The title of America: Imagine the World Without Her is a misnomer for which a marketing consultant should be sacked. Despite a few brief special effect images, I did not walk away from this docudrama with any sense of what the world would be without America. Aside from suggesting that had George Washington died in battle, Mt. […]
A River Runs Through It (PG)

Robert Redford’s A River Runs Through It is set in the early 1900’s “at the junction of great trout rivers in Missoula, Montana” against the backdrop of the Bitterroot Mountains in the northwest of the state. It would be difficult to imagine a more beautiful setting for such a story, and it is to the […]
No Rating

Fight Club (R)

Note To Readers: This review contains a frank investigation of a perverse film, and necessarily must describe some of the perverse ideas of the film. Given the lasting import and influence of the film, the editor commends it to readers who are old enough to have seen the film. Younger readers who have not seen […]
Snowpiercer (R)

Joon-Ho Bong’s Snowpiercer starts with an intriguing premise: the world has frozen solid after a global warming experiment gone wrong, and all of humanity now inhabits a high-tech train that perpetually circles the earth. (Train wreck jokes would, perhaps, be too obvious.) Snowpiercer squanders this premise on a hackneyed tale of the struggle between the […]
The Rover (R)

Jesus thanked His Father for hiding the truth from the wise and understanding and revealing it instead to little children. David Michôd’s The Rover takes its cues from this fundamental dilemma, painting an intimate picture of a relationship between one who is wise and understanding and one who is – if not in body, at […]
Marie Antoinette (PG-13)

“Are we there yet?” asks Marie sleepily from the backseat of her carriage. Her royal Austrian entourage has just pulled up on the French border for a customs inspection which makes even today’s customs inspections look conservative. It’s a child’s question, and that’s fine. Marie was only fifteen when she departed the Hofburg Palace for […]
Transformers: Age Of Extinction (PG-13)

You can learn a lot about Michael Bay by the numbers. In the last twenty years, he has directed eleven films, and all but two were released in June or July. All his films but the first, Bad Boys, top the two hour mark, and more than half exceed two and a half hours. The […]
Jersey Boys (R)

It is unfair to condemn a pop music biopic for its family resemblance to most any other entry in the genre, since the history of one pop act’s rise and fall is more or less the same as another. Clint Eastwood’s Jersey Boys is by turns a light-hearted, then solemn account of ‘60s hitmakers Franky Valli […]
Stalingrad (R)

When we were discussing Stalingrad, a friend referred to it as “Saving Comrade Katya.” To an extent, his comparison to Spielberg’s Saving Private Ryan works. Both are violent films set in turning points of World War II, both focus on a small group of soldiers, and both attempt to depict the war’s brutality while maintaining […]
Maleficent (PG)

The Walt Disney Company, 20th century curator of childhood-born romantic prejudices and sundry other idiocies, has a bone to pick. With itself. In the latest adjustment of the Grimm’s work, Disney takes itself to task for all the delicious animated lovey-dovey nonsense they packed into kid’s heads back in the 50s and 60s. That prince’s […]
The Amazing Spider-Man 2 (PG-13)

All superhero reboots have the same binary job description: act like their predecessors never existed, and then be consciously better than their predecessors. 2012’s The Amazing Spider-Man accomplished both in spades. Andrew Garfield brought more charisma to the title role than the departing Tobey Maguire (who has about as much of that vital essence as […]