All Film Reviews

American Hustle (R)

It is possible to walk away from David O. Russell’s American Hustle with an unchallenged, unalloyed understanding of the word “American”— the quantity of leisure suits and Jersey accents alone put to rest any doubts about which America we’re dealing with. The same can’t be said of that other word, “hustle.” There is too much […]
How I Live Now (R)

When I was still quite young, no more than ten or eleven, little excited my soul more than the sound of a fire alarm going off at school. We would exit the building quickly and stand in the parking lot, surveying the school. Someone would claim they saw smoke, and we would all say we […]
Non-Stop (PG-13)

There was a time when Liam Neeson seemed to need such a foreign-sounding name. He played Oskar Schindler, the sensualist-turned-saint who saved a thousand Jews from Hitler’s hands. He played Michael Collins, the fiery revolutionary, and the strangely pious Rob Roy. Anymore, though, I think Liam might as well be a Jack or a John, […]
Son of God (PG-13)

Cinematic adaptations of the earthly life of Jesus Christ must all, in a sense, disappoint for one of two reasons. They are either handicapped by a nervous fidelity to the text of the Four Evangelists, and thus lose themselves in a sea of pious tedium, or, moved by a spirit of whimsical heterodoxy, they introduce […]
Jack Ryan: Shadow Recruit (PG-13)

Approaching a film directed by Kenneth Branagh, I cannot pretend my expectations were low. Of all the actors of our generation, Branagh ranks in the elites. His understanding of characters and strong story telling has consistently shown him to be more than a passing phenomenon. His work in the Shakespearean genre alone is dazzling. Let […]
Nebraska (R)

Alexander Payne, who is perhaps best known for moving the wine industry with his 2004 film Sideways, is well practiced in the Midwestern art of stoic disappointment. A son of the cornhusker state, Payne uses their quiet turmoil even when his films are set California and Hawaii as was Sideways and The Descendants, respectively.
Much Ado About Nothing (2012) (PG-13)

“Shakespeare” is a word which likely conjures up an endless string of irrevocably poignant images, though the writer himself was directly responsible for none of them. I think of Baz Luhrmann’s Romeo + Juliet and the battle on the beach, wherein Harold Perrineau’s tragically underestimated interpretation of Mercutio claims “A scratch!” after being mortally stabbed. […]
Labor Day (PG-13)

If the development of an artist’s career did in fact advance logically, Jason Reitman’s next film would be a new version of Peter Pan wryly punctuated by voice-over commentary from an older, slightly worldlier Wendy Darling. All of his major films (excepting 2007’s Juno) have a markedly boyish tone to them, and the nature of […]
Winter’s Tale (PG-13)

In his adaptation of Mark Helprin’s Winter’s Tale, Akiva Goldsman shows himself the true student of longtime collaborator Ron Howard, whom he has for many years served as principal screenwriter. What unites these two men is evidently a shared attraction to stories driven more by emotional force than any question of great moral interest. Any […]
Restless Heart (Not Rated)

I had eagerly anticipated seeing Restless Heart (2013) ever since I read about the film’s inauguration at select theaters and churches throughout the United States last year. Someone is making an entire movie dedicated to one of my favorite faith heroes? Holy cow! Like many other people of Christian persuasion, I cherish the story of Saint Augustine, and […]
Monuments Men (PG-13)

Of all the mysteries of Monuments Men, the most baffling is how George Clooney (director/co-writer/star) managed to make Bill Murray boring. Murray’s got plenty in the bank. He can afford to shoot a boring part while hanging out in Europe with Clooney. Given the chance, I’d do the same. But you still feel a sense of […]
All Is Lost (PG-13)

The majority of the dialogue in J.C. Chandor’s All is Lost comes in the first thirty seconds. The only human character, Our Man (Robert Redford) narrates a letter that he doesn’t send until the final act. “I’m sorry,” he says, “I tried, I think you would all agree that I tried. To be true, to […]
The LEGO Movie (PG)

I experienced the collective cringe we all felt at the announcement of The LEGO Movie. Does their avarice know no bounds? They’ve made billions of dollars, saturated childhoods for generations, moved into video games. Nobody doesn’t know what Lego is. Do they need the marketing? A movie at this point seems cynical, doesn’t it? It’s […]
Pompeii (PG-13)

Not a lot of great volcano movies out there. They tend to be straight-forward affairs, as is evidenced by their titles, like Volcano. That particular 1997 disaster-movie disaster memorably ended with a young child observing (in a moment of benevolent, racial innocence and goodwill) that Caucasians and African-Americans covered in black ash “all looked the […]
RoboCop (2014) (PG-13)

I feel like a sucker. I liked the Robocop remake. I make it a point not to read reviews of movies I’m reviewing, because I have this lingering hope that maybe there’s something incorruptible and true and creative and my own, right down at the core of me. So I haven’t read any reviews. But […]
A Serious Man (R)

Various Christian media outlets championed True Grit as the acme of the Coen brothers work with religious material, although I think A Serious Man renders True Grit as hollow as a flintlock gun barrel. Of all the qualities the film owns which might be discussed, the passage which immediately follows the prologue is of peculiar […]
Inception (PG-13)

In the same way genealogies provide foundation for expounding upon and explaining the personhood and character of real human beings, so any good author deserves to have any individual work placed into the context and trajectory of their oeuvre. Whether or not Christopher Nolan is a good man, I cannot say, although by this point […]
The Bling Ring (PG-13)

The Bling Ring is not an ambitious movie. The show might be aptly criticized for not being ambitious enough, but then I think moviemaking as a whole might collapse under the weight of such a demand. In truth, there are less than a dozen ambitious filmmakers alive. You say there are more. I say there […]
Blood Diamond (R)

Edward Zwick is a romantic. With his films: Legends Of The Fall, The Last Samurai, and Defiance, the director/producer’s style is clear. He revels in grandness; relishes sweeping shots and heart-tugging stories. But this isn’t a problem. Quite the contrary. His films come off not like documentaries voiced by Oprah, but as impressive and beautiful […]
Dallas Buyers Club (R)

And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light. Dylan Thomas, who is known as much for his poetry as his alcoholism, wrote these words for his dying father. […]