All Film Reviews

Becoming Like The Teacher: Stranger Things And Pedagogy (Not Rated)

The student is not above the teacher, but everyone who is fully trained will be like their teacher. -Luke 6:40 Here, finally, is something which cares nothing for novelty, originality, innovation. There are fine television programs which do not worship at the altar of The New, but the makers of those programs are infrequently interested […]
God’s Not Dead 2: First World Problems (PG)

If courage is a mark of greatness in film making, God’s Not Dead 2 is deserving of more than a few laurels. It takes real guts to give a movie called God’s Not Dead 2 a theatrical release date of April 1st. If the release date is analogous to riding a motorcycle without a helmet, […]
Suicide Squad: Are Comic Book Movies Actually Interesting? (PG-13)

“A lot of comic book movies are actually pretty interesting…” If, over the last ten years, you have lived within the vicinity of teenage boys, you are likely familiar with this claim. The claim that a thing is “actually interesting” is, often enough, actually interesting in and of itself. The “actually interesting” claim assumes that […]
Captain America: Civil War (PG-13)

This is the zenith of Marvel’s storytelling method. Over the past eight years – a time period winkingly referred to in the film – the studio has built an intricately interconnected “cinematic universe” through thirteen feature films. This model has drawbacks and benefits, both of which I discuss at length in my essay on The […]
The Witch (R)

Long time readers of this website will have no problem predicting where a review of this film was apt to begin. “Let us not neglect meeting together…” as St. Paul teaches. “…ask for the ancient paths, ask where the good way is…” as the blessed Jeremiah teaches. Either of these verses ought to do for […]
The Avengers: Age of Ultron and the Ethos of the Marvel Cinematic Universe (PG-13)

INTRO: Kierkegaard, Nietzsche, Joss Whedon, and Myself I consider myself a casual Marvel fan. I could probably count the number of superhero comics I’ve read on one hand, but I’ve seen every film in the “Marvel Cinematic Universe” (the web of interconnected superhero films that started with Iron Man) since Iron Man 2 (2010) in […]
Spotlight: For the Sins of the World (R)

In The Brothers Karamazov, Elder Zosima addresses the monks at his abbey a few days before his death. He urges them to love one another and then reminds them that, though they have dedicated their lives to God, they are no more righteous than those who live outside the monastery walls. He says, “When [the […]
Karma sans Justice: The Big Short (R)

Nerds are the last to finish first, but, if The Big Short is to be believed, that might be just about the best time to get ahead. Nerds have a sense of this. They might fall behind the jocks on the sporting fields and have all of the humiliating wedgies in high school; they might […]
Hail, Caesar!: Hollywood Meets the Inferno (PG-13)

The religious who live outside the film industry tend to think of Hollywood as a bastion of secular materialism. In their view, directors and starlets throw lavish parties and cruise down Rodeo Drive in search of the next designer purse. Certainly Hollywood has its share of hedonism. However, it is also a deeply spiritual place. […]
Hail, Caesar! A Tale of The Christ (PG-13)

Early in Hail, Caesar!, the latest film from Joel and Ethan Coen, protagonist Eddie Mannix (Josh Brolin) speaks to a room full of religious figures: a Protestant preacher, a Catholic priest, an Orthodox clergyman, and a Jewish rabbi. Mannix, a fixer for the fictional Capitol Pictures studio, explains that their biggest release of the year […]
The Lone Ranger: Gore Verbinski’s Unheralded Masterpiece (PG-13)

Part 1: Introduction “I cannot tell if this horse is stupid, or just pretending to be stupid.” – Tonto (Johnny Depp) A similar dilemma faced those who watched Gore Verbinski’s The Lone Ranger when it was released over 2013’s Fourth of July weekend. Was it stupid? Or just pretending to be stupid? Most critics and […]
The Hateful Eight (R)

2015 was a banner year for westerns. The genre, once one of Hollywood’s most profitable and now one of its least – the financial disaster of 2013’s unjustly reviled extravaganza The Lone Ranger was the final nail in that coffin – seemed doomed to fade into obscurity. However, rather than living on solely through the occasional indie […]
Macbeth: Post-traumatic Stress and the Pre-Christian World (R)

Shakespeare wouldn’t be Shakespeare if we did not have reasons to argue about him. Part of what makes his plays so enduring is their ability to tolerate the conjunctions “both … and …” However, it does make writing about him always a challenge, even though thousands (millions, if you include students) have done so before. […]
The Bourne Atheist: Ridley Scott’s New Soulless Cosmos (PG-13)

This ain’t no Sierra Club. This ain’t no National Geographic Society neither. “Fuck you, Mars,” says Martian Mark Watney shortly after finding himself utterly alone on a foreign planet. Man has been set against nature many times before, especially in 20th century literature and film. At times, man must battle nature. The Old Man must […]
Where’s That Olde Time Religion? The Force Awakens (PG-13)

I suspect I am not unique in claiming to have had serious conversations with friends in the wee hours of the morning wherein real considerations of future plans have been hashed out using the original Star Wars trilogy as a template for a genuine pursuit of truth and goodness. Should I find a Yoda under […]
Creed: Winning the Fight for Relevance (PG-13)

An athlete born in the year (1976, that is) that Rocky Balboa first fought on the silver screen would probably be nearing retirement now, if he or she had not retired already. But Balboa himself (played, as always, by Sylvester Stallone) keeps turning up. This is not without risks of seeming exploitative. Worse, it is not […]
My Life With The Chill Kill Cult: Martha Marcy May Marlene (R)

Where do flashbacks come from? Who delivers the flashback to the audience? Is it the same authorial power which delivers the present tense narrative to the audience? And who is privy to the flashback? If the flashback occurs in the mind of a present character, should the flashback be trusted less than the objectively rendered […]
No Rating

Left Behind: A Good Premise for a Lousy Movie (Not Rated)

Blessed be Netflix, that magical website which allows one to watch terrible movies without feeling guilty about paying for it. After all, you already dished out $8 for the month. The only problem is that sometimes the movies aren’t just bad. They are horrid. Left Behind is a perfect illustration. One will, no doubt, walk […]
Spectre (PG-13)

“My name is Lester Burnham,” intones the protagonist of Sam Mendes’ debut film, American Beauty. “This is my neighborhood. This is my street. This is my life. I am 42 years old. In less than a year, I will be dead. Of course, I don’t that yet, and in a way, I’m dead already.” With […]
Drunk gods: Victor Frankenstein (PG-13)

When I remembered that Igor was never a character in the original Frankenstein story, I began to expect less of Victor Frankenstein, which makes Igor its main character. When I discovered that this version’s Frankenstein lives in a steampunk London, my expectations lowered yet more. They would descend much lower still. This is a shame, […]