Action Films
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John Wick: Chapter 2 (R)
Early in John Wick: Chapter 2, the titular assassin (Keanu Reeves) somberly places his weapons in a box, puts the box in a hole in his basement, and covers it with wet concrete. The action suggests an addict burying his stash, and symbolizes his intent to leave his world of violence and live a new […]
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Valerian and the City of a Thousand Planets (PG-13)
Recently, FilmFisher editor Joshua Gibbs wrote a piece defending film critics against a common accusation: “This film was just plain fun. Why don’t you snobby film critics get it?” I stand by Gibbs’ argument in that piece, and would like to make an addendum: it is difficult to make a film that is truly fun. […]
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Dunkirk: The Better Part of Valour (PG-13)
There is an unspoken understanding among filmmakers that war is hell and that war films must convince their audiences of it. And it isn’t a controversial notion. The guy who exits the theater nodding sagely and remarks, “Man, war is hell,” can’t expect much pushback from his buddies. Christopher Nolan’s Dunkirk contributes to the genre […]
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Wonder Woman (PG-13)
In the Pensées, Pascal writes, “I blame equally those who decide to praise man [and] those who blame him… I can only approve those who search in anguish.” Pascal’s anguish stems from man’s contradictory nature: caught inescapably between the extremes of wretchedness and greatness, he is neither wretched enough to be a beast nor great […]
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Rogue One: A Star Wars Story (PG-13)
Gareth Edwards’ Rogue One: A Star Wars Story feels nothing like any other Star Wars film. At first, that’s jarring, even off-putting. Once you settle into its particular rhythm, it’s exhilarating. There is no opening crawl of yellow text setting up the story. There are no Kurosawa-esque wipes to transition between scenes. The story isn’t […]
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Doctor Strange (PG-13)
Scott Derrickson’s Doctor Strange is the latest installment in the rapidly expanding Marvel Cinematic Universe, a collection of interconnected superhero movies that, to many viewers, are starting to feel like indistinguishable products. Doctor Strange sidesteps and invites that complaint in interesting ways. The broad strokes of the story here are par for the course, with […]
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Suicide Squad: Are Comic Book Movies Actually Interesting? (PG-13)
“A lot of comic book movies are actually pretty interesting…” If, over the last ten years, you have lived within the vicinity of teenage boys, you are likely familiar with this claim. The claim that a thing is “actually interesting” is, often enough, actually interesting in and of itself. The “actually interesting” claim assumes that […]
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Captain America: Civil War (PG-13)
This is the zenith of Marvel’s storytelling method. Over the past eight years – a time period winkingly referred to in the film – the studio has built an intricately interconnected “cinematic universe” through thirteen feature films. This model has drawbacks and benefits, both of which I discuss at length in my essay on The […]
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The Avengers: Age of Ultron and the Ethos of the Marvel Cinematic Universe (PG-13)
INTRO: Kierkegaard, Nietzsche, Joss Whedon, and Myself I consider myself a casual Marvel fan. I could probably count the number of superhero comics I’ve read on one hand, but I’ve seen every film in the “Marvel Cinematic Universe” (the web of interconnected superhero films that started with Iron Man) since Iron Man 2 (2010) in […]
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The Lone Ranger: Gore Verbinski’s Unheralded Masterpiece (PG-13)
Part 1: Introduction “I cannot tell if this horse is stupid, or just pretending to be stupid.” – Tonto (Johnny Depp) A similar dilemma faced those who watched Gore Verbinski’s The Lone Ranger when it was released over 2013’s Fourth of July weekend. Was it stupid? Or just pretending to be stupid? Most critics and […]
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Macbeth: Post-traumatic Stress and the Pre-Christian World (R)
Shakespeare wouldn’t be Shakespeare if we did not have reasons to argue about him. Part of what makes his plays so enduring is their ability to tolerate the conjunctions “both … and …” However, it does make writing about him always a challenge, even though thousands (millions, if you include students) have done so before. […]
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Where’s That Olde Time Religion? The Force Awakens (PG-13)
I suspect I am not unique in claiming to have had serious conversations with friends in the wee hours of the morning wherein real considerations of future plans have been hashed out using the original Star Wars trilogy as a template for a genuine pursuit of truth and goodness. Should I find a Yoda under […]
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Creed: Winning the Fight for Relevance (PG-13)
An athlete born in the year (1976, that is) that Rocky Balboa first fought on the silver screen would probably be nearing retirement now, if he or she had not retired already. But Balboa himself (played, as always, by Sylvester Stallone) keeps turning up. This is not without risks of seeming exploitative. Worse, it is not […]
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Left Behind: A Good Premise for a Lousy Movie (Not Rated)
Blessed be Netflix, that magical website which allows one to watch terrible movies without feeling guilty about paying for it. After all, you already dished out $8 for the month. The only problem is that sometimes the movies aren’t just bad. They are horrid. Left Behind is a perfect illustration. One will, no doubt, walk […]
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Spectre (PG-13)
“My name is Lester Burnham,” intones the protagonist of Sam Mendes’ debut film, American Beauty. “This is my neighborhood. This is my street. This is my life. I am 42 years old. In less than a year, I will be dead. Of course, I don’t that yet, and in a way, I’m dead already.” With […]
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Drunk gods: Victor Frankenstein (PG-13)
When I remembered that Igor was never a character in the original Frankenstein story, I began to expect less of Victor Frankenstein, which makes Igor its main character. When I discovered that this version’s Frankenstein lives in a steampunk London, my expectations lowered yet more. They would descend much lower still. This is a shame, […]
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Sicario: The World after the Monopoly of Violence (R)
If Sicario wants you to know one thing, it’s that good fences make good neighbors; especially wrought iron fences, fences that are topped off with razor wire, lined with infrared cameras and maybe have a guard tower with a mounted machine gun or two every half mile. To see the film’s portrayal of Mexico, one […]
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The Fantastic Four: It’s Not Getting Better (PG-13)
When I went to see The Fantastic Four, I was expecting what I usually expect from adaptations of Marvel comics: I didn’t think that it would be particularly memorable, but neither did I expect it to be particularly bad. I was wrong on both accounts: It was memorably bad. I understand that I was probably […]
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Ant-Man: A Humble Beginning (PG-13)
When a new planet swims into the ken of the Marvel cinematic universe, the gravity must be intense. Like stout Cortez staring at the Pacific for the first time, the wonder of new discovery quickly gives way to acquisition and assimilation. After several rounds of feature-length introductions to The Avengers, Ant-Man is an unexpected departure […]
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Mission: Impossible – Rogue Nation (PG-13)
When the theatre lights go down, Mission: Impossible – Rogue Nation starts to play the breathless beginning of Lilo Schifrin’s famous theme before the Paramount Studios mountain has even left the screen. With the Mission Impossible franchise now securely established, this is not a film that intends to waste time winning over its audiences. No, […]