Drama Films
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JoJo Rabbit (PG-13)
Parodying Hitler is nothing new. Charlie Chaplin played him in The Great Dictator (1940), long before Look Who’s Back (2015), Inglourious Basterds (2009), Mein Führer: The Really Truest Truth About Adolf Hitler (2007), and the countless memes that subtitled Hitler’s bunker tirade in Downfall (2004). Before the U.S. had entered WWII, mocking Hitler for two […]
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1917 (R)
When I was about 13, my father rented (from an establishment called Blockbuster) an odd little film called Rope. He is an Alfred Hitchcock aficionado and had discovered that this was one of Hitch’s lesser known films, which he had yet to see. In the days before IMDb and easy internet access, information like this was […]
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The Irishman (R)
Roger Ebert once said that “No good movie is too long and no bad movie is short enough.” In other words: length is not indicative of quality, but together, the two get along just fine. Few names are as ubiquitous with lengthy runtimes as Martin Scorsese, who, since the 1970s, has been making films that […]
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Marriage Story (R)
When I saw Marriage Story lately, I intended it to be the first in a double feature. After the film ended, however, I was so overwhelmed that I canceled my ticket to the second film and drove straight home, though I also considered turning around and seeing Marriage Story again that same night. A conventional […]
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The Lighthouse (R)
Unlike many of his modern peers, there’s something appreciable about Robert Eggers’ unfussy approach to the horror genre. The Witch might just be the most frightening horror film of this decade – incredible, given that it feels pulled from a different era of filmmaking altogether. But what made that film work wonders in its bid to […]
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The Tree of Life (PG-13)
“I give you my son.” In terms of theological scope and artistry, The Tree of Life is an essential Christian masterpiece. Like the Sistine Chapel, like Handel’s Messiah – like these two masterworks, Tree of Life spans from creation to new earth. The entirety of our existence. Our place in the created order. Is it esoteric? […]
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Overcomer (PG)
Overcomer, the latest film from Alex Kendrick and his brother Stephen, continues the filmmaking tradition begun with 2006’s Facing the Giants – movies made with evangelical Christian faith as both the heart and goal of the narrative. What Overcomer also continues is the increase in filmmaking skill evidenced by the Kendrick Brothers. The first act […]
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Chernobyl (Not Rated)
HBO’s Chernobyl is the best thing I’ve ever seen on television. Yes, I know about Breaking Bad and The Wire. My assertion, from a position of respect, is that those shows indeed did it well for a longer stretch but, nonetheless, did not reach the heights of storytelling excellence delivered by Chernobyl. It seems logical […]
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Mid90s (R)
Mid90s begins with a push, or rather, two. The film opens on production company A24’s logo, which has been fashioned by skateboards. A kid subsequently runs across the screen, shattering the logo. In the very next shot, the camera peers down a hallway for a few quiet moments until the silence is shattered by another […]
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Under the Silver Lake (R)
“Used to be, a hundred years ago, you know, any moron could kinda wander into the woods and look behind a rock or s–t and discover some cool new thing, you know? Not anymore. Where’s the mystery that makes everything worthwhile? We crave mystery ‘cause there’s none left.” These musings come from Under the Silver […]
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Godzilla (2014) (PG-13)
When was the last time you saw a big-budget movie that was remarkable for its craftsmanship? The blockbusters that swarm cinemas every summer often invoke the name of Steven Spielberg, but precious few modern summer movies approximate the skill and patience of his original, 1975’s Jaws, the one that (together with Star Wars in 1977) […]
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Extremely Wicked, Shockingly Evil and Vile (R)
Moviegoers of 2019 have become familiar with the phrase “Part of the journey is the end” through that really popular superhero movie you may have seen. Something similar to that now-famous truism presents itself through the latest Ted Bundy film. In the case of the Bundy film, the lesson learned is that the end often justifies the […]
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The Mustang (R)
If The Mustang were a song, it would have been written and recorded by Johnny Cash. The fundamental elements are all there: Love, God, and Murder. It is the story of a convict who is placed in a very unique rehabilitation program: a rehabilitation program that uses horses. The old man who runs the program […]
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High Life (R)
Space wasn’t always scary. At first, it was simply the stars and little else. As time went on, humanity began to learn more about the solar system, but I doubt many thought to be afraid of it. In the early 20th century – perhaps even sooner than that – writers began to speculate about the cosmos in a less strictly academic manner. Science-fiction was born. By and large, these writings were optimistic and more than a little naïve.
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The Assassination of Jesse James by the Coward Robert Ford (R)
It’s a well-known fact: the cinematic year of 2007 was one for the ages. Those fortunate enough to live through it remember the year fondly; those who, like myself, thrived at that point on a steady diet of Veggie Tales and Disney’s Homeward Bound, admire it from afar in wistful retrospect. In perhaps the best […]
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Vice (R)
When the 2019 Academy Award nominees were released in late January, many people were excited about who and what was being considered for an Oscar in the different vital and sometimes overlooked categories that make filmmaking possible. But of course, the highlights are the nominees for Best Picture, representing the best movies had to offer for […]
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A Star is Born for the Fourth Time (R)
The Bradley Cooper-helmed remake of A Star is Born marks the fourth time that this story has been told through celluloid. Each film follows the same basic plot: a rocky romantic relationship between a talented man and woman. The woman rises to fame partially because of her connection to the man. And then the man […]
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Sorcerer (R)
There are two extremes when it comes to film criticism: Romance and Reason. Those of a leftist temperament almost always veer too far into emotional fancy; those of the right tend to get bogged down with intellectual analysis. The truth is that film, like most forms of media, is a rough and ready mixture of […]
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Roma (R)
One of the greatest strengths of film as an art form is its innate ability to create a sense of empathy. The most affecting films are the ones we relate to most closely, not necessarily because we sympathize, which is merely to feel sorrow for a misfortunate without ever truly understanding the deeper connotations behind it, […]
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If Beale Street Could Talk (R)
Born out of the same unobtrusive intimacy as Barry Jenkins’s previous offering, Moonlight, If Beale Street Could Talk is a visually lush and poetic laudation of the mysterious and transcendental thing that is love. It’s a celebration of love’s redemptive propensity and its healing properties. Yet more than that, If Beale Street Could Talk is […]