Drama Films
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The Assassination of Jesse James by the Coward Robert Ford (R)
It’s a well-known fact: the cinematic year of 2007 was one for the ages. Those fortunate enough to live through it remember the year fondly; those who, like myself, thrived at that point on a steady diet of Veggie Tales and Disney’s Homeward Bound, admire it from afar in wistful retrospect. In perhaps the best […]
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Vice (R)
When the 2019 Academy Award nominees were released in late January, many people were excited about who and what was being considered for an Oscar in the different vital and sometimes overlooked categories that make filmmaking possible. But of course, the highlights are the nominees for Best Picture, representing the best movies had to offer for […]
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A Star is Born for the Fourth Time (R)
The Bradley Cooper-helmed remake of A Star is Born marks the fourth time that this story has been told through celluloid. Each film follows the same basic plot: a rocky romantic relationship between a talented man and woman. The woman rises to fame partially because of her connection to the man. And then the man […]
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Sorcerer (R)
There are two extremes when it comes to film criticism: Romance and Reason. Those of a leftist temperament almost always veer too far into emotional fancy; those of the right tend to get bogged down with intellectual analysis. The truth is that film, like most forms of media, is a rough and ready mixture of […]
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Roma (R)
One of the greatest strengths of film as an art form is its innate ability to create a sense of empathy. The most affecting films are the ones we relate to most closely, not necessarily because we sympathize, which is merely to feel sorrow for a misfortunate without ever truly understanding the deeper connotations behind it, […]
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If Beale Street Could Talk (R)
Born out of the same unobtrusive intimacy as Barry Jenkins’s previous offering, Moonlight, If Beale Street Could Talk is a visually lush and poetic laudation of the mysterious and transcendental thing that is love. It’s a celebration of love’s redemptive propensity and its healing properties. Yet more than that, If Beale Street Could Talk is […]
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BlacKkKlansman (R)
Back in the summer of 1989, Spike Lee lit a joint that critics said was sure to cause riots and incite anger among young African American males. With a boombox in its hand and a “fight the power!” on its lips, the director’s third feature film polarized audiences, with some hailing it as one of […]
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Leave No Trace and the Gift of Fellowship (PG)
“It was a rough year.” This sentiment always begins its annual excursion as December comes to a close; in that tiresome week’s span during which Christmas is behind us and the short-lived joys of new year’s resolutions are ahead, there’s little to consider but the disappointments and shortcomings yielded from the last twelve months. And now, […]
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Vox Lux (R)
“That’s the thing about pop music,” a young Celeste muses, “I don’t want people to have to think too hard, I just want them to feel good.” And yet, that line of thinking is a trap, a great deception that allows the artist to pull the wool over the audience’s eyes. Young Celeste, after all, […]
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The Favourite (R)
According to Hegel, every major historical event repeats itself twice; according to Marx’s notorious addendum, the first time is a tragedy, the second a farce. Most things happen twice in The Favourite, but director Yorgos Lanthimos reverses the rhythm so farce gives way to tragedy, or else layers the two over each other until we cannot tell […]
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It’s a Wonderful Life (PG)
Scrooge’s nephew calls Christmas “a good time; a kind, forgiving, charitable, pleasant time; the only time I know of, in the long calendar of the year, when men and women seem by one consent to open their shut-up hearts freely, and to think of people below them as if they really were fellow-passengers to the […]
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Green Book (PG-13)
Peter Farrelly’s Green Book is a lesson to all Americans: Black Lives really do Matter, and, just maybe, all lives matter too. A house divided against itself cannot stand, but the division this country is now faced with is not one of race, sex, gender, sexuality, or any other label. It is a division of […]
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Widows (R)
You’ll have to forgive me. It’s been nearly three weeks since I initially saw Widows. Immediately after the screening, I felt very positively about the film, which I thought leveraged some really great technical filmmaking and a game cast to offset a messy script with too many threads and a pretty weak late-game twist. But in […]
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The Other Side of the Wind (R)
“The allotted function of art is not, as is often assumed, to put across ideas, to propagate thoughts, to serve as example. The aim of art is to prepare a person for death, to plough and harrow his soul, rendering it capable of turning to good.” – Andrei Tarkovsky, Sculpting in Time “A fact of life: […]
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You Were Never Really Here (R)
Lynne Ramsay’s 2018 film You Were Never Really Here begins with a sigh — or perhaps more of a gasp. We’ve cut from a black screen to an image of Joaquin Phoenix’s character Joe, his head wrapped in a plastic bag, slowly breathing in and out. With each exhalation the bag inflates, allowing space, breathing […]
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The Ballad of Buster Scruggs (R)
The films of the Coen brothers are replete with dark ironies, but few rival the fact that the staunchest moralists working in Hollywood today have been so consistently labeled as cynics or dismissed as nihilists. Their impeccable new effort, The Ballad of Buster Scruggs, is the latest in a streak of masterpieces now over a […]
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First Man (PG-13)
The biopic, as a film genre, is a notoriously difficult thing to get right. The problem with much of history, and indeed a great deal of personal history, is that it’s not particularly cinematic because it’s often so internalized. It’s the problem a lot of faith-based films have. How can you quantify a spiritual experience […]
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Barton Fink: The Inferno and the Hypocrite (R)
Writer’s block is hell. You sit, every member of your body frozen, your neurons refusing to fire, your fingers refusing to type — and all the while, the awful blankness of the empty page declines to cease its sneering taunt. You lose sleep, lose sanity; your mind becomes a barren desert, a dry and weary […]
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American Beauty (R)
According to the book Thinking Fast and Slow, it doesn’t take much for us to think something is good. A psychologist ran a study at the University of Michigan and Michigan State University that placed Turkish words (or Turkish sounding words) in the newspapers of each school. For several weeks, words such as kadirga, saricik, biwonjni, nansoma, and iktitaf showed up on […]
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God’s Not Dead: A Light in Darkness (PG)
When a movie studio produces the third installment in any series and that longed-for beast — that monetary white stag — the franchise, promises to emerge, they face a watershed question: numerals or subtitles? Historically, the dilemma has proven a little more complex than two roads diverging in a yellow wood. While some (recently, the […]