Drama Films
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Ride Like Lightning, Crash Like Thunder: The Place Beyond the Pines (R)
“He’s my son and I should be around him. I wasn’t around my dad and look at the… way I turned out.” The film opens with the speaker, Luke Glanton (Ryan Gosling), shirtless and bedecked with a tattoo scheme in which White Chocolate likely served as inspiration. He paces about a small utility room twirling and […]
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Go Down, Moses! Exodus: Gods And Kings (PG-13)
The oracles concerning the life of Moses are so perplexing and uncanny that even accomplished preachers bungle over them from time to time, and so someone at 20th Century Fox should have probably realized early on that handing them over to the director of G.I. Jane wasn’t the best move. Some might say Ridley Scott’s best work […]
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Barefoot in Church: Ragamuffin (PG-13)
Most Christians who grew up in the 90s or before know Rich Mullins as the musician who wrote “Awesome God,” but his life was much darker than his most popular song would suggest. Mullins was an ascetic, even a rebel. He trashed phone booths and drank and went barefoot in church. He may have even smoked […]
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A Simple Plan (R)
“The finest trick of the devil is to persuade you that he does not exist,” writes Baudelaire. It is the greatest trick of modernity, beginning with the Enlightenment, as well. And, if the various modern social projects from capitalism to communism had anything in common, it was their motivation to convince all of us that […]
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Whiplash (R)
“I’d rather die drunk and broken at 34 and have people at a dinner table talk about me than live to be rich and sober at 90 and nobody remember who I was,” says Andrew Neyman (Miles Teller), the protagonist of Damien Chazelle’s sophomore feature film Whiplash. Andrew wants to be a great drummer – like […]
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Ace in the Hole (Not Rated)
When Chuck Tatum rolls into Albuquerque, his busted car is being towed to a mechanic, but he is nonetheless behind the wheel, casually reading a newspaper. A bemused, smug expression Tatum wears suggests he is enjoying the ride. I could get used to this. Something is broken, but that brokenness has made his life a little […]
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Nightcrawler: It’s A Free, Free, Free, Free Country (R)
Early in Nightcrawler, Lou Bloom sits with his back against a palm tree, staring at a white sand beach under the California sun. Behind him, a bicycler dismounts and chains up his bike. Bloom smiles. The scene cuts to Bloom pawning the same bike. In any other film, such a scene would stretch our credulity. […]
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Fury (R)
The most memorable character in Fury is Don Collier, or “Wardaddy,” the weathered commander of a tank – the eponymous Fury – in the final days of World War II. Wardaddy (Brad Pitt, exceptional in a role that nevertheless falls short of his best work) is a man of contradictions: he emanates grim, detached pragmatism […]
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The Mosquito Coast: The Origins of Totalitarianism (PG)
Quite a few more people have seen Peter Weir’s Witness than his The Mosquito Coast. Perhaps, this is because watching a movie about the charms of tradition is easier than watching one about the terrors of modernity. But both are messages that we need to hear. After all, being wise as a serpent is as much an injunction as being innocent as a dove.
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The Judge (R)
Light is a universal symbol of truth. Though we associate it with warmth and openness, light carries a burden of pain as well. Stare into a floodlight and your eyes will water. Lasers—concentrated beams of light—can burn and cut as well as repair. Sometimes a light is so blinding that it obscures all but itself. […]
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12 Angry Men (Not Rated)
Abraham Lincoln once said, “Mercy bears richer fruits than strict justice.” The opening shot of 12 Angry Men lingers on an inscription that reads, “Administration of justice is the firmest pillar of good.” This would seem to imply Men is a story primarily about justice. In fact, it is about mercy, or rather, that peculiarly American […]
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Gone Girl (R)
For a film which depicts one of the more grotesque murders in recent cinematic memory, the most terrifying moment in Gone Girl is nothing more than the film’s hero being asked a few seemingly mundane questions about his missing wife by a pair of bored cops. Shortly before noon, on his fifth wedding anniversary, Nick […]
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Locke (R)
In The Christian Future or the Modern Mind Outrun, Eugene Rosenstock-Huessy suggests that if you want to know a man, you have to talk to him on the drive to work. The Modern world has drawn thick, heavy lines between the home and the workplace, dividing a man’s livelihood from his bedroom, his office from […]
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Calvary (R)
Collective guilt might be unjust, but sometimes it is inevitable. That, at least, is one of the conclusions to be drawn from Calvary, John Michael McDonagh’s drama about the clerical abuse scandal which, ironically, does not feature a single frocked predator. This is because Calvary is not about the bad priests who caused the scandal, but about a single good priest left to deal with its consequences.
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The Fault In Our Stars (PG-13)
The memento mori (“remember you will die”) is a significant part of Puritan spirituality as well as the monastic life. The benefits of reminding yourself that you will die is written into numerous ascetic prayers and the “Dialog Between Christ, A Youth and the Devil” which concludes The New England Primer both draw heavily on […]
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Only Lovers Left Alive (R)
Only Lovers Left Alive is a my-favorite-things picture from independent film director Jim Jarmusch. It is a Dutch still life painting, though the fruit has been substituted with the prized possessions of the artist. It is a film filled with cool and dark things, like dirty rock and roll, night drives, death, Nikola Tesla, sunglasses, […]
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Boyhood (R)
Boyhood is heartbreaking for this reason; in a scant 164 minutes this mortal life is seen in full Solomonic brevity, breathlike and fleeting. Mason (Ellar Coltrane) is six when the film begins and he ages, along with his co-stars Ethan Hawke, Patricia Arquette and Lorelei Linklater, at such a breakneck pace that there’s an inescapable desperation over youth, its opportunities and misfortunes.
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Divergent (PG-13)
Why do we eat candy canes at Christmas? Why are they red and white? Why do we fold our hands to pray? If you ask a child these questions, they often offer an acrobatic answer. By the time they enter middle school, at least in this day and age, the answers become less and less […]
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A Most Wanted Man (R)
The surveillance state has a human face. In A Most Wanted Man’s telling of it, it is the gruff, unshaven, alcohol-bloated, nicotine-addled visage of Gunther Bachmann (Philip Seymour Hoffman), a spy who looks like he has a way to travel before he can come in from the cold. As the lead field agent of a […]
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Enemy (R)
Encountering a double, or doppelganger, is an ancient fear with long literary credentials. There’s something primeval about it, the pagan myths are replete with twins, both evil and otherwise, and the Bible has some very famous twins of its own (Jacob and Esau being the primary example), but perhaps the one that connects most readily […]