Drama Films
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God’s Not Dead (PG)
Novelist and career film reviewer, Graham Greene, insisted that any decent critic requires two things to get along in their work: “material for his analysis—for comparison and instruction—and a mind which, however sympathetic, is not prone to quick enthusiasms.“ Many a film, though, has resisted Greene’s ideal critic and opted instead for courting the already […]
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Draft Day (PG-13)
His career has had its ups and downs (i.e. Waterworld), but since 1988, with the release of Bull Durham, Kevin Costner has been the dean of the American sports movie. Whether he is building a baseball diamond in the middle of a cornfield (Field of Dreams) or making the most remarkable hole-in-twelve at the US […]
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The Grand Budapest Hotel (R)
With special thanks to Jon Paul Pope, who talked this film over with me, helped draw out my own ideas, and whose own ideas are variously represented here. In Ecclesiastes, Solomon says, Do not say, “Why were the old days better than these?” For it is not wise to ask such questions. These may or […]
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Shane (Not Rated)
Early in Shane, George Stevens’s classic western, the camera takes up the point of view of a boy named Joey (Brandon DeWilde); while trying to set his sight on a buck, he catches a glimpse of an approaching rider. Neither the perspective nor the focus of the film changes much after this. While it might […]
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The Constant Gardener (R)
The name Teresa, or Therese, is common in the recent history of the church. It’s most recognizable bearer is perhaps Mother Teresa of Calcutta, who founded the Missionaries of Charity. This Catholic Congregation, like its founder, is dedicated to the free care of HIV/AIDS suffers, tuberculosis patients, the mentally ill, abandoned children, lepers, refugees, etc. […]
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Catching Fire (PG-13)
On the one hand you have Athanasius contra mundum, and on the other hand, Fifty million Elvis fans can’t be wrong. I’ll confess equal sympathies for both dictums. The Truth is a Man, a single Man, and He does not depend on massive crowds to give Him cultural validity. His cult is the genesis of […]
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The Truman Show (PG)
Apocalyptically speaking, falling stars signal the end of the age, a coming political revolution, for the celestial lights represent rulers. The fall of one star foretells the rising of another and we have just such an omen in an early scene of The Truman Show: a halogen light with “Sirius (9 Canis Major)” written on it […]
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Hours (PG-13)
Low-budget, independent films require a few important things to engross an audience. Since they do not have the budget of a blockbuster, they rely heavily on the script and the actors. In theory, Hours should have had both. In practice, it had neither. Our story opens on a soon-to-be father and mother entering a hospital […]
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Noah (PG-13)
What follows is a conversation between Joshua Gibbs and myself on the work of Darren Aronofsky, culminating in a lengthy discussion of Noah, the director’s most recent work. Of course, this conversation is not exhaustive. Most of his films are here discussed in generalities, individual works are mentioned to highlight commonalities in his catalog. We […]
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American Hustle (R)
It is possible to walk away from David O. Russell’s American Hustle with an unchallenged, unalloyed understanding of the word “American”— the quantity of leisure suits and Jersey accents alone put to rest any doubts about which America we’re dealing with. The same can’t be said of that other word, “hustle.” There is too much […]
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How I Live Now (R)
When I was still quite young, no more than ten or eleven, little excited my soul more than the sound of a fire alarm going off at school. We would exit the building quickly and stand in the parking lot, surveying the school. Someone would claim they saw smoke, and we would all say we […]
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Son of God (PG-13)
Cinematic adaptations of the earthly life of Jesus Christ must all, in a sense, disappoint for one of two reasons. They are either handicapped by a nervous fidelity to the text of the Four Evangelists, and thus lose themselves in a sea of pious tedium, or, moved by a spirit of whimsical heterodoxy, they introduce […]
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Nebraska (R)
Alexander Payne, who is perhaps best known for moving the wine industry with his 2004 film Sideways, is well practiced in the Midwestern art of stoic disappointment. A son of the cornhusker state, Payne uses their quiet turmoil even when his films are set California and Hawaii as was Sideways and The Descendants, respectively.
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Much Ado About Nothing (2012) (PG-13)
“Shakespeare” is a word which likely conjures up an endless string of irrevocably poignant images, though the writer himself was directly responsible for none of them. I think of Baz Luhrmann’s Romeo + Juliet and the battle on the beach, wherein Harold Perrineau’s tragically underestimated interpretation of Mercutio claims “A scratch!” after being mortally stabbed. […]
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Labor Day (PG-13)
If the development of an artist’s career did in fact advance logically, Jason Reitman’s next film would be a new version of Peter Pan wryly punctuated by voice-over commentary from an older, slightly worldlier Wendy Darling. All of his major films (excepting 2007’s Juno) have a markedly boyish tone to them, and the nature of […]
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Restless Heart (Not Rated)
I had eagerly anticipated seeing Restless Heart (2013) ever since I read about the film’s inauguration at select theaters and churches throughout the United States last year. Someone is making an entire movie dedicated to one of my favorite faith heroes? Holy cow! Like many other people of Christian persuasion, I cherish the story of Saint Augustine, and […]
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All Is Lost (PG-13)
The majority of the dialogue in J.C. Chandor’s All is Lost comes in the first thirty seconds. The only human character, Our Man (Robert Redford) narrates a letter that he doesn’t send until the final act. “I’m sorry,” he says, “I tried, I think you would all agree that I tried. To be true, to […]
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A Serious Man (R)
Various Christian media outlets championed True Grit as the acme of the Coen brothers work with religious material, although I think A Serious Man renders True Grit as hollow as a flintlock gun barrel. Of all the qualities the film owns which might be discussed, the passage which immediately follows the prologue is of peculiar […]
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Inception (PG-13)
In the same way genealogies provide foundation for expounding upon and explaining the personhood and character of real human beings, so any good author deserves to have any individual work placed into the context and trajectory of their oeuvre. Whether or not Christopher Nolan is a good man, I cannot say, although by this point […]
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Dallas Buyers Club (R)
And you, my father, there on the sad height, Curse, bless, me now with your fierce tears, I pray. Do not go gentle into that good night. Rage, rage against the dying of the light. Dylan Thomas, who is known as much for his poetry as his alcoholism, wrote these words for his dying father. […]