Family Films
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Incredibles 2 (PG)
In the last 40 years, American theaters have received around 70 superhero movies with lead characters recognized and known by audiences who’ve never even picked up a comic book. Their rate of release has gone from 4 openings a decade in the 1980s to 5 or more a year since 2016. The question for many […]
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Bambi (G)
Bambi needs no explanation, no grand thesis or deep thematic explication. It can be understood immediately, not only at the cognitive and emotional levels, but at the most basic: from within the unconscious. It is a story about growing up and coming of age that can be understood by anyone immediately. It is a basic […]
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Star Wars: The Last Jedi – An Explication (PG-13)
Although I have waited till now to publish any written thoughts on the film, it is fairly common knowledge in various circles of the internet that I do not much care for Star Wars: The Last Jedi. The number of fishes above might also indicate this, though I have found it difficult to settle on a rating for the film, because my thoughts and feelings on it are mixed – conflicted, one might say.
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Brother Bear (G)
I’ll begin with the bold claim that Brother Bear is one of the finest animated films Disney has produced in the past quarter century. At least, it is one of their most underrated and unappreciated. Granted, I tend to favor a handful of Disney’s supposed flops over a number of their “canonical” hits. I tend to root for underdogs, and perhaps I’m too loyal to films that left a deep impression on me in my childhood.
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TRON: Legacy (PG)
TRON: Legacy can hardly be called a great film, but it made quite the impression on me when I first saw it on opening night back in December of 2010, and I have been making excuses for it ever since. Emerging from the theater, I might even, in my adolescent fervor, have described it as […]
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A Gritty Goodness: The River Thief (Not Rated)
The typical hero of a faith-based film measures their own satisfaction with the ending by the metric ton. If you stuck a teaspoon in the ending of the average Christian film, you’d pull it out dripping with enough sweet goo to give everyone in the world a mouthful of cavities. We don’t merely like redemption. […]
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Left Behind: A Good Premise for a Lousy Movie (Not Rated)
Blessed be Netflix, that magical website which allows one to watch terrible movies without feeling guilty about paying for it. After all, you already dished out $8 for the month. The only problem is that sometimes the movies aren’t just bad. They are horrid. Left Behind is a perfect illustration. One will, no doubt, walk […]
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Beyond the Mask: Parable or Fluff Film? (PG)
Some stories shun a theme or philosophy or moral—they are meant purely for enjoyment. No one gets much moral edification from The Three Musketeers, but it remains a classic because we enjoy reading it. Die Hard has remained popular not because of any deep and lasting truths, but because it’s macho eye candy. These movies […]
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Charlotte’s Web (1973) (G)
In the world of trigger warnings, where one needs to wear kid gloves just to touch the kid gloves, the old 1973 animated adaptation of Charlotte’s Web is a relief. I see recent children’s movies from time to time, and I know that beloved characters still die, but nothing in kid’s movies of late rivals the […]
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Cinderella: Unenlightened And Loving It (PG)
In the last ten years, the Disney Corporation has broken the heads off more than a few statues they carved back in the 50s and 60s. Given that the company made their billions entertaining children, and given that Americans in no wise view children as they did when your grandparents were kids, such image smashing […]
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Song of the Sea (PG)
The first words of the Tomm Moore’s Song of the Sea are a quotation from Yeats’ poem “The Stolen Child”: Come away, O human child! To the waters and the wild With a faery, hand in hand. For the world’s more full of weeping than you can understand. In the poem, a group of fairies […]
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Tomorrowland (PG)
In the opening minutes of Tomorrowland, a young boy shows us his homemade jetpack. It is meant to be fun and inspiring, but has one problem: it doesn’t work. It’s always nice when a movie hands you a metaphor for itself. It’s not nice when that movie breaks your heart in the process. There may […]
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Song of the Sea (PG)
Come away, O human child To the waters and the wild With a fairy, hand in hand For the world’s more full of weeping than you can understand. This quote from Yeats fittingly opens Tomm Moore’s Song of the Sea, which seeks to understand a world full of weeping through the eyes of a human […]
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Where the Wild Things Are: Put Off All Your Beast (PG)
“Inside all of us is a Wild Thing,” goes the tagline to Spike Jonze’s 2009 film Where the Wild Things Are, based on the popular children’s book by Maurice Sendak and Max is the wildest of the wild, son and younger brother in a broken family. Jonze with co-adapter Dave Eggers craft a touching film […]
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Grimm Tales: Into the Woods (PG)
The woods of classic fairytale lore are the locus of secrets, danger, and freedom. The wolf knows he is safe to stalk Little Red Riding Hood behind the trees; the witch trusts that no one will find Rapunzel’s tower in its depths. Fast forward several hundred years, and Disney cartoons have scraped much of the […]
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Kirk Cameron’s Saving Christmas (PG)
Having spent the last several days reading reviews of Kirk Cameron’s Saving Christmas, and now sitting down to write my own take, I am reminded of the 2000 presidential election in which both Bush and Gore hired teams of lawyers to sue one another over the results before the votes were even cast. Saving Christmas […]
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The Giver (PG-13)
A brilliant sunset. A wedding dance. The color red. Each person who reads these words will see a unique image. Humanity may share experiences, but because of our memories—and our emotions—we approach these commonalities in vastly different ways. Variety and choice aren’t just the spice of life. They make us human. In The Giver, a […]
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Boyhood (R)
Boyhood is heartbreaking for this reason; in a scant 164 minutes this mortal life is seen in full Solomonic brevity, breathlike and fleeting. Mason (Ellar Coltrane) is six when the film begins and he ages, along with his co-stars Ethan Hawke, Patricia Arquette and Lorelei Linklater, at such a breakneck pace that there’s an inescapable desperation over youth, its opportunities and misfortunes.
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How to Train Your Dragon 2 (PG)
Pet dragons, taken as a whole, are worth any trouble they might cause. At least that’s what the Vikings of Berk have learned five years after the chief’s son, Hiccup, trained his first dragon. How to Train Your Dragon 2 endeavors to fly above its predecessor but, like many sequels, fails to capitalize on the […]
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Falling Down (R)
I used to live about three miles from where I worked, which is close enough, although twelve stoplights separated the front door of my house from the front door of my place of business. On the wrong afternoon drive home, the fact that Cain’s first great project after slaying his brother was to build a […]