Fantasy Films
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Solo: A Star Wars Story (PG-13)
By all accounts, Solo: A Star Wars Story is the post-Lucas Star Wars movie that should feel most like a corporate product. In a bizarre paradox, it may actually be the one that feels most human. The other post-Lucas films have been intriguing but haphazard; that Solo possesses a simple sort of dramatic competency should […]
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Star Wars: The Last Jedi – An Explication (PG-13)
Although I have waited till now to publish any written thoughts on the film, it is fairly common knowledge in various circles of the internet that I do not much care for Star Wars: The Last Jedi. The number of fishes above might also indicate this, though I have found it difficult to settle on a rating for the film, because my thoughts and feelings on it are mixed – conflicted, one might say.
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A Wrinkle in Time (PG)
I have not read Madeleine L’engle’s A Wrinkle in Time, which is a shame as I imagine it is a much better work than Ava DuVerney’s film by the same name. Of course, “See Spot Run” would also be a better work than Disney’s latest live-action effort which manages to be so devoid of merit, personality, and plot that it will be hard to write much about it
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The Shape of Water (R)
Note To Readers: This review contains a frank investigation of a perverse film, and necessarily must describe some its perverse content and ideas. Given the film’s import and influence, the editor commends this review to readers who are old enough to have seen it. Younger readers who have not seen the film will not likely benefit from […]
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Black Panther (PG-13)
Recently – within the last three months, let’s say – the latest entry in a blockbuster franchise with at least ten theatrical releases to its name (and a million more well on the way) was released. This new film received near-universal critical praise, with many viewers ecstatically describing it as a departure from previous installments […]
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Doctor Strange (PG-13)
Scott Derrickson’s Doctor Strange is the latest installment in the rapidly expanding Marvel Cinematic Universe, a collection of interconnected superhero movies that, to many viewers, are starting to feel like indistinguishable products. Doctor Strange sidesteps and invites that complaint in interesting ways. The broad strokes of the story here are par for the course, with […]
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The Lone Ranger: Gore Verbinski’s Unheralded Masterpiece (PG-13)
Part 1: Introduction “I cannot tell if this horse is stupid, or just pretending to be stupid.” – Tonto (Johnny Depp) A similar dilemma faced those who watched Gore Verbinski’s The Lone Ranger when it was released over 2013’s Fourth of July weekend. Was it stupid? Or just pretending to be stupid? Most critics and […]
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Jupiter Ascending: Descent to Some Kind of Love (PG-13)
Conjure, if you will, a moving image of the hippest rollerblader you’ve ever seen. If you are strapped for stock images, try the reuniting-the-team segment at the front end of D2: The Mighty Ducks, or some other nineties vintage of the same ilk. Now, hoist that rollerblader twenty, thirty, a thousand feet into air—the same […]
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Cinderella: Unenlightened And Loving It (PG)
In the last ten years, the Disney Corporation has broken the heads off more than a few statues they carved back in the 50s and 60s. Given that the company made their billions entertaining children, and given that Americans in no wise view children as they did when your grandparents were kids, such image smashing […]
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It’s A Mad, Mad, Mad Mad Max (R)
It’s hard to appreciate paganism properly. I can’t think of many convincingly pagan characters from motion pictures, because most cinematic pagans are nothing more than Republicans or athletes in togas. They talk like us, think like us, dress like us dressing like pagans, opine like us. Our ancient Greeks are suffragettes and our ancient Egyptians […]
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Song of the Sea (PG)
Come away, O human child To the waters and the wild With a fairy, hand in hand For the world’s more full of weeping than you can understand. This quote from Yeats fittingly opens Tomm Moore’s Song of the Sea, which seeks to understand a world full of weeping through the eyes of a human […]
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Grimm Tales: Into the Woods (PG)
The woods of classic fairytale lore are the locus of secrets, danger, and freedom. The wolf knows he is safe to stalk Little Red Riding Hood behind the trees; the witch trusts that no one will find Rapunzel’s tower in its depths. Fast forward several hundred years, and Disney cartoons have scraped much of the […]
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How to Train Your Dragon 2 (PG)
Pet dragons, taken as a whole, are worth any trouble they might cause. At least that’s what the Vikings of Berk have learned five years after the chief’s son, Hiccup, trained his first dragon. How to Train Your Dragon 2 endeavors to fly above its predecessor but, like many sequels, fails to capitalize on the […]
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Maleficent (PG)
The Walt Disney Company, 20th century curator of childhood-born romantic prejudices and sundry other idiocies, has a bone to pick. With itself. In the latest adjustment of the Grimm’s work, Disney takes itself to task for all the delicious animated lovey-dovey nonsense they packed into kid’s heads back in the 50s and 60s. That prince’s […]
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How to Train Your Dragon (PG)
According to ancient British legends, King Alfred wasn’t a big fan of the Vikings. He spent several years of his reign ousting the Danish warriors, who burned monasteries and killed unarmed monks. Good thing the real Vikings didn’t train dragons. The warriors of How to Train Your Dragon, a 2010 animated hit, bear practically no […]
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300: Rise Of An Empire (R)
Some days call for dumb movies. Every now and then, on a late night or a quiet Saturday afternoon, there’s reason enough to watch something that will advance your psyche in no way. I admit it. I’d even go so far as to allow Zack Snyder’s 300 (the 2006 one) to be such. Maybe. It […]
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Winter’s Tale (PG-13)
In his adaptation of Mark Helprin’s Winter’s Tale, Akiva Goldsman shows himself the true student of longtime collaborator Ron Howard, whom he has for many years served as principal screenwriter. What unites these two men is evidently a shared attraction to stories driven more by emotional force than any question of great moral interest. Any […]
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Inception (PG-13)
In the same way genealogies provide foundation for expounding upon and explaining the personhood and character of real human beings, so any good author deserves to have any individual work placed into the context and trajectory of their oeuvre. Whether or not Christopher Nolan is a good man, I cannot say, although by this point […]
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Trance (R)
Trance is a labyrinth without a string leading out. While anyone sitting down to watch might expect a director of Danny Boyle’s caliber (Sunshine, 28 Days Later) to provide that string, the third act of this film was well underway before I realized there could be no satisfying escape. Somewhere in his house, I imagine, […]
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How To Watch A Classic Film: The Wizard of Oz (G)
On my first day of Western Civ 257: Literature of Western Civilization in college, we started on Homer’s Odyssey and the professor claimed the text was “above criticism,” a statement which I found a bit precious. How is anything above criticism? Is Homer now become Holy Writ? The more history books I read, though, the […]