Romance Films
-
Valerian and the City of a Thousand Planets (PG-13)
Recently, FilmFisher editor Joshua Gibbs wrote a piece defending film critics against a common accusation: “This film was just plain fun. Why don’t you snobby film critics get it?” I stand by Gibbs’ argument in that piece, and would like to make an addendum: it is difficult to make a film that is truly fun. […]
-
Paper Towns: The Teen Whisperer Mumbles (PG-13)
I know only of John Green what Hollywood has told me, which means Paper Towns is but my second venture into the mind of “the Teen Whisperer,” as Margot Talbot once referred to him in The New Yorker. As with The Fault in Our Stars, the characters in Paper Towns are self-reflective and hungry, but […]
-
Belle (PG)
It is a truth universally acknowledged that Jane Austen-era dramas attract large and devoted audiences. Add to the mix a real-life heroine who is the daughter of a British aristocrat and African slave, and the potential for tear-jerking, romantic moments grows exponentially. If only Belle, directed by Ghanaian Amma Asante, had a clever script or […]
-
The Fault In Our Stars (PG-13)
The memento mori (“remember you will die”) is a significant part of Puritan spirituality as well as the monastic life. The benefits of reminding yourself that you will die is written into numerous ascetic prayers and the “Dialog Between Christ, A Youth and the Devil” which concludes The New England Primer both draw heavily on […]
-
Stalingrad (R)
When we were discussing Stalingrad, a friend referred to it as “Saving Comrade Katya.” To an extent, his comparison to Spielberg’s Saving Private Ryan works. Both are violent films set in turning points of World War II, both focus on a small group of soldiers, and both attempt to depict the war’s brutality while maintaining […]
-
What If… (PG)
In Nancy Meyers’ What Women Want, Mel Gibson played a male chauvinist who was miraculously granted the ability to hear the thoughts of women as though those thoughts were being expressed verbally. Gibson was Nick Marshall, ad exec and lady killer, who never gave a second thought to what women wanted, but took what he […]
-
How I Live Now (R)
When I was still quite young, no more than ten or eleven, little excited my soul more than the sound of a fire alarm going off at school. We would exit the building quickly and stand in the parking lot, surveying the school. Someone would claim they saw smoke, and we would all say we […]
-
Labor Day (PG-13)
If the development of an artist’s career did in fact advance logically, Jason Reitman’s next film would be a new version of Peter Pan wryly punctuated by voice-over commentary from an older, slightly worldlier Wendy Darling. All of his major films (excepting 2007’s Juno) have a markedly boyish tone to them, and the nature of […]
-
Winter’s Tale (PG-13)
In his adaptation of Mark Helprin’s Winter’s Tale, Akiva Goldsman shows himself the true student of longtime collaborator Ron Howard, whom he has for many years served as principal screenwriter. What unites these two men is evidently a shared attraction to stories driven more by emotional force than any question of great moral interest. Any […]