Science Fiction Archives - FilmFisher

Aquaman (PG-13)

When FilmFisher’s managing editor Timothy Lawrence asked me to review Aquaman, I groaned. I had only seen one DC film since Man of Steel (which I loathe), and that was the Marvel-esque Wonder Woman. I have heard tales of how Batman v. Superman, Suicide Squad, and Justice League are incredibly awful. Therefore I was not […]
Bumblebee (PG-13)

To watch Bumblebee is to be caught in the middle of a tug-of-war between two different movies. One is a forgettable blockbuster and wannabe franchise reboot about toys from the 1980s, and the other is an efficient if not novel throwback to children’s adventure films of that decade like E.T. the Extra-Terrestrial. In the end, […]
Venom (PG-13)

When I was a very young boy, I thought Venom was pretty cool. I liked Spider-Man, and I liked dinosaurs, and I imagine this is why the idea of a carnivorous Spider-Man held some appeal for me. It is more difficult to pinpoint the source of the morbid curiosity that drove me to the theater this weekend, where I forked over twelve dollars to see Sony Pictures’ Venom under the pretense of “taking one for the FilmFisher team.”
The Dark Knight (PG-13)

It is easy to write about a bad film, but much harder to write about a good one. Pointing to areas that are lacking is easy, but when you cannot find fault in anything, what do you write about? This is, in part, a consequence of the medium: a good film cannot simply be put into words or else it would not be a good film, only a good story
Blade Runner 2049 (R)

Though it has now haunted me for nine months, when I first saw Blade Runner 2049, I did not find it very impressive. The Blade Runner of 1982 is a mad miracle of a movie and a hard act to follow. Though it would not likely be considered a very good film by most conventional metrics, it is […]
Jurassic World: Fallen Kingdom (PG-13)

Do not go to see this film. Let me qualify: do not spend money seeing Jurassic World: Fallen Kingdom unless your desire is to make two hours and ten minutes of your life feel more like four or five. It is a perfect proving ground for testing the relative perception of the passing of time. […]
Upgrade (R)

When did we collectively decide that summer moviegoing should be franchise fare only? Aside from the odd comedy or rare sleeper hit, there’s been this horrible recurrent trend that the summer movie session is ripe for every manner of sequel, prequel, remake, reboot, and intellectual property to dominate the box office. The problem is, these films are becoming increasingly unsatisfying and they never quite feel like the kinds of big crowd pleasers that will stand the test of time.
Solo: A Star Wars Story (PG-13)

By all accounts, Solo: A Star Wars Story is the post-Lucas Star Wars movie that should feel most like a corporate product. In a bizarre paradox, it may actually be the one that feels most human. The other post-Lucas films have been intriguing but haphazard; that Solo possesses a simple sort of dramatic competency should […]
Star Wars: The Last Jedi – An Explication (PG-13)

Although I have waited till now to publish any written thoughts on the film, it is fairly common knowledge in various circles of the internet that I do not much care for Star Wars: The Last Jedi. The number of fishes above might also indicate this, though I have found it difficult to settle on a rating for the film, because my thoughts and feelings on it are mixed – conflicted, one might say.
Downsizing (R)

At the beginning of Downsizing, we meet Paul Safranek (Matt Damon). He dropped out of med school to take care of his mother in his cluttered childhood home. They talk about the recent breakthrough of miniaturizing people, which can shrink a person down to five inches tall. Apparently, this process will save the world from […]
Annihilation (R)

Like Alex Garland’s first film, Ex Machina, Annihilation is a tense, well-paced story set in an oppressive environment and haunted by an uncanny terror. The score is dissonant and unsettling, the rules that govern the world are mysterious yet coherent, and its horror scenes are truly chilling. Lena (Natalie Portman) is a former soldier turned […]
Ready Player One (PG-13)

Ready Player One depicts a future world inhabited by people who would rather live out their days in a virtual reality world — and the sad truth is that it doesn’t feel too inauthentic of a possible real-life future. For as much as a film like this wishes to sing the virtues of our society’s […]
X-Men: First Class (PG-13)

G.K. Chesterton’s essay “Vengeance” suggests that although modern law is highly refined, it can evolve into a system devoid of any passion and become a machine which unreflectively punishes people. “The evil in our modern law is not one of barbaric passions, but one of passionless routine. The trouble is not that a lawyer really […]
A Wrinkle in Time (PG)

I have not read Madeleine L’engle’s A Wrinkle in Time, which is a shame as I imagine it is a much better work than Ava DuVerney’s film by the same name. Of course, “See Spot Run” would also be a better work than Disney’s latest live-action effort which manages to be so devoid of merit, personality, and plot that it will be hard to write much about it
Black Panther (PG-13)

Recently – within the last three months, let’s say – the latest entry in a blockbuster franchise with at least ten theatrical releases to its name (and a million more well on the way) was released. This new film received near-universal critical praise, with many viewers ecstatically describing it as a departure from previous installments […]
TRON: Legacy (PG)

TRON: Legacy can hardly be called a great film, but it made quite the impression on me when I first saw it on opening night back in December of 2010, and I have been making excuses for it ever since. Emerging from the theater, I might even, in my adolescent fervor, have described it as […]
Valerian and the City of a Thousand Planets (PG-13)

Recently, FilmFisher editor Joshua Gibbs wrote a piece defending film critics against a common accusation: “This film was just plain fun. Why don’t you snobby film critics get it?” I stand by Gibbs’ argument in that piece, and would like to make an addendum: it is difficult to make a film that is truly fun. […]
Rogue One: A Star Wars Story (PG-13)

Gareth Edwards’ Rogue One: A Star Wars Story feels nothing like any other Star Wars film. At first, that’s jarring, even off-putting. Once you settle into its particular rhythm, it’s exhilarating. There is no opening crawl of yellow text setting up the story. There are no Kurosawa-esque wipes to transition between scenes. The story isn’t […]
Captain America: Civil War (PG-13)

This is the zenith of Marvel’s storytelling method. Over the past eight years – a time period winkingly referred to in the film – the studio has built an intricately interconnected “cinematic universe” through thirteen feature films. This model has drawbacks and benefits, both of which I discuss at length in my essay on The […]
The Avengers: Age of Ultron and the Ethos of the Marvel Cinematic Universe (PG-13)

INTRO: Kierkegaard, Nietzsche, Joss Whedon, and Myself I consider myself a casual Marvel fan. I could probably count the number of superhero comics I’ve read on one hand, but I’ve seen every film in the “Marvel Cinematic Universe” (the web of interconnected superhero films that started with Iron Man) since Iron Man 2 (2010) in […]

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