Science Fiction Films
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Inception (PG-13)
In the same way genealogies provide foundation for expounding upon and explaining the personhood and character of real human beings, so any good author deserves to have any individual work placed into the context and trajectory of their oeuvre. Whether or not Christopher Nolan is a good man, I cannot say, although by this point […]
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Her (R)
Her, written and directed by Spike Jonze, contains three scenes of strong sexual content, and at least two other scenes with frank sexual language. All the sex is varyingly virtual. The movie uses sex both to demonstrate closeness between characters, and the gaps between them. Taken as whole, however, it’s not clear that Jonze understands […]
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Pacific Rim (PG-13)
I remember as a child having near hallucinogenic nightmares after watching Jurassic Park for the first time on our old black and white, sixteen-inch television. After not being able to sleep at all the night after, I wanted to watch it again the next day. Such is the magic of cinema, I suppose. A well […]
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24 Questions for Sunshine (R)
“Cinema is truth at 24 frames per second.” -Jean-Luc Godard “Cinema is lies at 24 frames per second.” -Michael Haneke One of the most important components of interpretation is the peerless act of questioning. Frequently the question carries value even apart from an answer and the right question will always outwork an easy answer. The […]
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Ender’s Game (PG-13)
Ender’s Game plays like a Power Point presentation of the novel by Orson Scott Card. That’s not an inherent problem. Power Point presentations can be informative, entertaining, and occasionally are not complete wastes of time. I’m not going to go so far as to say that they can’t be exciting, transformative, and powerful— attributes which […]
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Never Let Me Go (R)
Anybody who picked up a copy of Kazuo Ishiguro’s Never Let Me Go after finding it on Time’s list of the best English novels written since 1923 would likely have been baffled after a hundred pages or so. They would have found the Booker Prize winning author had traded out the contemplative, first-person perspective of […]