Reviews
Coming Soon (see all)
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Light from Light (Not Rated)
The central question of Paul Harrill’s gentle chiller Light from Light is the same one ghost stories have been asking for centuries: is the house haunted? Richard (Jim Gaffigan), who’s begun experiencing strange phenomena since his wife passed away in a plane crash, suspects it may be. Shelia (Marin Ireland), who works a normal desk […]
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Bumblebee (PG-13)
To watch Bumblebee is to be caught in the middle of a tug-of-war between two different movies. One is a forgettable blockbuster and wannabe franchise reboot about toys from the 1980s, and the other is an efficient if not novel throwback to children’s adventure films of that decade like E.T. the Extra-Terrestrial. In the end, […]
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Searching (PG-13)
It’s incredibly difficult to make thrillers and horror films that revolve around technology. Those genres thrive off providing audiences with a universal experience they can relate to, and technology is constantly advancing to the point where a film may be of its time for a brief moment before looking dated in the future…
In Theaters (see all)
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The Invisible Man (R)
In the early days of cinema, just after the introduction of sound, many of the cinematic genres we’re familiar with today were crystallized by particular studios who focused their efforts on certain niches. Universal Pictures had the horror market cornered with their adaptations of late 19th century literature, like Bram Stoker’s Dracula, Mary Shelley’s Frankenstein, and HG […]
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JoJo Rabbit (PG-13)
Parodying Hitler is nothing new. Charlie Chaplin played him in The Great Dictator (1940), long before Look Who’s Back (2015), Inglourious Basterds (2009), Mein Führer: The Really Truest Truth About Adolf Hitler (2007), and the countless memes that subtitled Hitler’s bunker tirade in Downfall (2004). Before the U.S. had entered WWII, mocking Hitler for two […]
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1917 (R)
When I was about 13, my father rented (from an establishment called Blockbuster) an odd little film called Rope. He is an Alfred Hitchcock aficionado and had discovered that this was one of Hitch’s lesser known films, which he had yet to see. In the days before IMDb and easy internet access, information like this was […]
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Star Wars: The Rise of Skywalker (PG-13)
An early scene in Star Wars: The Rise of Skywalker is a fitting metaphor for the film as a whole. Finn (John Boyega) and Poe (Oscar Isaac), fleeing TIE Fighters in the Millennium Falcon, escape their pursuers by “lightspeed skipping” – a dangerous maneuver (or so we’re told, though it goes smoothly enough for our […]
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Black Christmas (2019) (PG-13)
Further proof that studios think that any intellectual property is better than having no intellectual property, Black Christmas, the second remake of the original film, actually doesn’t benefit from its namesake since it bears very little of that infamous, incredible proto-slasher from 1974. The idea to update what was an incredibly socially relevant and quite subversive […]
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The Irishman (R)
Roger Ebert once said that “No good movie is too long and no bad movie is short enough.” In other words: length is not indicative of quality, but together, the two get along just fine. Few names are as ubiquitous with lengthy runtimes as Martin Scorsese, who, since the 1970s, has been making films that […]
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Frozen II (PG)
Firstly, let it be known that our fearless editor had to reach out to see if anybody was willing to see Frozen II over its opening weekend. I chose to fall on the sword. Not because I was hopeful that Walt Disney Animation’s latest would be worthwhile – no, I knew going in that I was […]
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Ford v Ferrari (PG-13)
Let’s get this one thing straight: there’s nothing magical about 7000 rpm. I own an Infiniti G37 that redlines at 7500 rpm and I’ve been over 7000 rpm a couple of times. Nothing special happened. In fact, it’s usually when I’m trying to get on the freeway and the automatic gearbox shifted down a gear […]
New on DVD / Bluray (see all)
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Light from Light (Not Rated)
The central question of Paul Harrill’s gentle chiller Light from Light is the same one ghost stories have been asking for centuries: is the house haunted? Richard (Jim Gaffigan), who’s begun experiencing strange phenomena since his wife passed away in a plane crash, suspects it may be. Shelia (Marin Ireland), who works a normal desk […]
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The Irishman (R)
Roger Ebert once said that “No good movie is too long and no bad movie is short enough.” In other words: length is not indicative of quality, but together, the two get along just fine. Few names are as ubiquitous with lengthy runtimes as Martin Scorsese, who, since the 1970s, has been making films that […]
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Marriage Story (R)
When I saw Marriage Story lately, I intended it to be the first in a double feature. After the film ended, however, I was so overwhelmed that I canceled my ticket to the second film and drove straight home, though I also considered turning around and seeing Marriage Story again that same night. A conventional […]
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Genndy Tartakovsky’s Primal (Not Rated)
The premise of Genndy Tartakovsky’s Primal, a five-part animated series that aired nightly this past week, sounds like something that might have been cooked up by middle school boys during a slumber party: “Dude, wouldn’t it be awesome if a caveman teamed up with a T-Rex?” And yet, it is probably the most interesting cartoon […]
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Chernobyl (Not Rated)
HBO’s Chernobyl is the best thing I’ve ever seen on television. Yes, I know about Breaking Bad and The Wire. My assertion, from a position of respect, is that those shows indeed did it well for a longer stretch but, nonetheless, did not reach the heights of storytelling excellence delivered by Chernobyl. It seems logical […]
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Tolkien (PG-13)
The best film about J.R.R. Tolkien is still The Fellowship of the Ring. I use the word “about” because Fellowship gets at the purest elements of his legendarium and his soul. The Elves are still mysterious and dangerous, the world feels big and ancient, and the Shire gets a lot of screentime. I truly believe […]
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Mid90s (R)
Mid90s begins with a push, or rather, two. The film opens on production company A24’s logo, which has been fashioned by skateboards. A kid subsequently runs across the screen, shattering the logo. In the very next shot, the camera peers down a hallway for a few quiet moments until the silence is shattered by another […]
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The Mustang (R)
If The Mustang were a song, it would have been written and recorded by Johnny Cash. The fundamental elements are all there: Love, God, and Murder. It is the story of a convict who is placed in a very unique rehabilitation program: a rehabilitation program that uses horses. The old man who runs the program […]
Older Films (see all)
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Spider-Man 2 (PG-13)
According to FilmFisher’s rating system, to award a film the perfect 5-fish rating is to claim the film is “not merely a towering achievement in its genre” but also “makes ardent strides towards virtue and offers the viewer an acute and profound entrance into the ancient discussion of human excellence and the transcendence of God.” I am willing to make all these claims about Spider-Man 2.
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Hell or High Water (R)
While the wild west has certainly evolved in the past two hundred years, Hell or High Water evokes the power of romantic frontier stories. This contemporary west is a stage for gunfights and thunderstorms as well as casinos and car chases. It’s a west where cowboys carry smartphones and drive new trucks, but also wear […]
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A Canterbury Tale (G)
In this strange season we currently find ourselves in, I occupy more time than ever before by reading books and watching films. A little over a month ago I watched something of a forgotten gem — British duo Powell and Pressburger’s A Canterbury Tale — and not a day has passed since that it hasn’t crossed […]
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Black Christmas (R)
It’s fitting that, about three-quarters into Bob Clark’s yuletide chiller Black Christmas, I almost laughed out loud when a character exclaims in a panic, “The calls are coming from inside the house!” Before watching, I’d been unaware that the iconic line now synonymous with the horror-slasher genre had originated here, knowing it only as an […]
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Prince of Darkness (R)
It’s an extremely unfortunate bit of irony that John Carpenter’s magnum opus, unquestionably The Thing (which itself is the pinnacle of 1980s horror, but I digress), was a huge commercial failure. Misunderstood at the time and subsequently written off, Carpenter’s greatest work almost became his biggest downfall. His career would stabilize but never fully recover. I often think […]
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The Tree of Life (PG-13)
“I give you my son.” In terms of theological scope and artistry, The Tree of Life is an essential Christian masterpiece. Like the Sistine Chapel, like Handel’s Messiah – like these two masterworks, Tree of Life spans from creation to new earth. The entirety of our existence. Our place in the created order. Is it esoteric? […]
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Casino Royale (PG-13)
“Bond, James Bond” is one of the most ubiquitous names in modern western culture – a name that has become synonymous with a particular brand of lightweight sensuality. The last fifty years have seen the release of over twenty James Bond movies, and even those who have never seen one know exactly what they are all […]
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Under the Silver Lake (R)
“Used to be, a hundred years ago, you know, any moron could kinda wander into the woods and look behind a rock or s–t and discover some cool new thing, you know? Not anymore. Where’s the mystery that makes everything worthwhile? We crave mystery ‘cause there’s none left.” These musings come from Under the Silver […]
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