Reviews
Coming Soon (see all)
In Theaters (see all)
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Halloween (R)
Let’s just get this out of the way: the new Halloween commits a cardinal horror movie sin in that it all feels too safe. In other words, it’s not scary. This latest sequel erases the rest of the canon in favor of being a direct follow up to John Carpenter’s 1978 original. Almost by fiat, this is surely the […]
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First Man (PG-13)
The biopic, as a film genre, is a notoriously difficult thing to get right. The problem with much of history, and indeed a great deal of personal history, is that it’s not particularly cinematic because it’s often so internalized. It’s the problem a lot of faith-based films have. How can you quantify a spiritual experience […]
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Venom (PG-13)
When I was a very young boy, I thought Venom was pretty cool. I liked Spider-Man, and I liked dinosaurs, and I imagine this is why the idea of a carnivorous Spider-Man held some appeal for me. It is more difficult to pinpoint the source of the morbid curiosity that drove me to the theater this weekend, where I forked over twelve dollars to see Sony Pictures’ Venom under the pretense of “taking one for the FilmFisher team.”
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The Old Man and the Gun (PG-13)
Though he has directed only five feature films in a career of less than a decade, David Lowery’s vision of the cosmos is already more clearly defined than most directors achieve in a lifetime. 2013’s Ain’t Them Bodies Saints, 2016’s Pete’s Dragon, and 2017’s A Ghost Story are all united by a soulful, lyrical quality […]
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Eighth Grade (R)
The irony that I usually write about horror films or coming-of-age stories for this site has not been lost upon me. In that respect, it feels like Eighth Grade is the perfect intersection of the two genres, as it surprisingly captures the very accurate, cringeworthy horror that going through eighth grade is actually like for most normal […]
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Mission: Impossible – Fallout (PG-13)
Here at FilmFisher, movies are considered excellent if they offer “some meditation on truth or beauty or holiness which stands to remain for weeks and months after leaving the theater.” Mission: Impossible – Fallout, like most action films, offers little in the way of contemplation, which is why I have granted it only three and […]
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Ant-Man and the Wasp (PG-13)
When the first Ant-Man was released three summers ago, it was a refreshing breeze that aired out an increasingly stuffy and stultifying superhero atmosphere. After the previous four MCU entries all ended with a large population barely escaping decimation from some magic stone or tech-turned-terror — and especially after the heady philosophy, jumbled plotting, and […]
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Sicario: Day of the Soldado (R)
There were warning signs even before the title changed. After the moderate success of Sicario in 2015, screenwriter Taylor Sheridan promised an unnecessary follow-up that in true sequel fashion would be bigger, darker, and meaner than the original. Her character’s arc complete, Emily Blunt was out, and so were director Denis Villeneuve and cinematographer Roger Deakins. Josh […]
New on DVD / Bluray (see all)
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God’s Not Dead: A Light in Darkness (PG)
When a movie studio produces the third installment in any series and that longed-for beast — that monetary white stag — the franchise, promises to emerge, they face a watershed question: numerals or subtitles? Historically, the dilemma has proven a little more complex than two roads diverging in a yellow wood. While some (recently, the […]
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In the Mouth of Madness (R)
Last month, I had the pleasure of attending a horror triple feature at the Egyptian Theater that was a part of an ongoing series known as “New England Nightmares.” To be perfectly honest, New England has always been the perfect setting for ghost stories and horrifying haunts. It is a landscape where an original way […]
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Blade Runner 2049 (R)
Though it has now haunted me for nine months, when I first saw Blade Runner 2049, I did not find it very impressive. The Blade Runner of 1982 is a mad miracle of a movie and a hard act to follow. Though it would not likely be considered a very good film by most conventional metrics, it is […]
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Star Wars: The Last Jedi – An Explication (PG-13)
Although I have waited till now to publish any written thoughts on the film, it is fairly common knowledge in various circles of the internet that I do not much care for Star Wars: The Last Jedi. The number of fishes above might also indicate this, though I have found it difficult to settle on a rating for the film, because my thoughts and feelings on it are mixed – conflicted, one might say.
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Downsizing (R)
At the beginning of Downsizing, we meet Paul Safranek (Matt Damon). He dropped out of med school to take care of his mother in his cluttered childhood home. They talk about the recent breakthrough of miniaturizing people, which can shrink a person down to five inches tall. Apparently, this process will save the world from […]
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Annihilation (R)
Like Alex Garland’s first film, Ex Machina, Annihilation is a tense, well-paced story set in an oppressive environment and haunted by an uncanny terror. The score is dissonant and unsettling, the rules that govern the world are mysterious yet coherent, and its horror scenes are truly chilling. Lena (Natalie Portman) is a former soldier turned […]
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The Shape of Water (R)
Note To Readers: This review contains a frank investigation of a perverse film, and necessarily must describe some its perverse content and ideas. Given the film’s import and influence, the editor commends this review to readers who are old enough to have seen it. Younger readers who have not seen the film will not likely benefit from […]
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Phantom Thread (R)
Paul Thomas Anderson is one of the very best American filmmakers working today, and quite possibly the most interesting. His mastery of the craft is nearly unparalleled, placing him on that elusive, immortal plane where the likes of the Coen brothers, Martin Scorsese, and Steven Spielberg currently reside. Yet what sets him apart, even among such esteemed company, is how perplexingly eclectic he is.
Older Films (see all)
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Harry Potter and the Half-Blood Prince (PG)
Half-Blood Prince is the first, and perhaps only, Harry Potter film to feel like it isn’t trying to be a good “Harry Potter film” and just does its best at being a good film. The seventh film has a similar tone, and Azkaban encapsulates what it is to be a Harry Potter film the best, but my point stands. In the sixth cinematic installment of the franchise, Harry Potter and his friends are ordinary British teens placed in extraordinary circumstances, but instead of focusing on the circumstances, the film chooses to focus on the teens – and is much better off because of it.
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Harry Potter and the Prisoner of Azkaban (PG)
In the evangelical circles of my childhood, Harry Potter was anathema; when I was allowed to read the books in high school, they still carried the sense of something forbidden about them, though by the time I reached college, J.K. Rowling was suddenly accorded the reverence due a long-lost member of the Inklings. Suffice it […]
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Let the Right One In (R)
Early in Let the Right One In, a young bully asks his victim, “What are you looking at?” Soon we find the victim, a dispassionate boy named Oskar (Kåre Hedebrant), fantasizing about turning the question back on his tormentor. His rehearsed vengeance is overheard by the vampire Eli (Lina Leandersson), and well into her courtship […]
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Interpreting ‘The Shape’ of Halloween (R)
Originally conceived as The Babysitter Murders, the plot for Halloween is actually about as streamlined as that title might suggest. It features several babysitters, a hulking man with a knife, and some murders. But in the hands of any director other than John Carpenter, we wouldn’t still be talking about Halloween forty years later. It is, in fact, one of […]
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Barton Fink: The Inferno and the Hypocrite (R)
Writer’s block is hell. You sit, every member of your body frozen, your neurons refusing to fire, your fingers refusing to type — and all the while, the awful blankness of the empty page declines to cease its sneering taunt. You lose sleep, lose sanity; your mind becomes a barren desert, a dry and weary […]
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Memento: Truth vs. Happiness (R)
After seeing Inception for the first time in the summer of 2010, Christopher Nolan quickly became my favorite director. Although my enthusiasm has waned over the years, as his films have grown less character driven and more spectacle oriented, I still have a certain fondness for earlier works like Memento.
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The Dark Knight (PG-13)
It is easy to write about a bad film, but much harder to write about a good one. Pointing to areas that are lacking is easy, but when you cannot find fault in anything, what do you write about? This is, in part, a consequence of the medium: a good film cannot simply be put into words or else it would not be a good film, only a good story
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American Beauty (R)
According to the book Thinking Fast and Slow, it doesn’t take much for us to think something is good. A psychologist ran a study at the University of Michigan and Michigan State University that placed Turkish words (or Turkish sounding words) in the newspapers of each school. For several weeks, words such as kadirga, saricik, biwonjni, nansoma, and iktitaf showed up on […]
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