DVD / Bluray Archives - FilmFisher

I’m Thinking of Ending Things (R)

I once had a math teacher tell me that any book that has to be read more than once to be understood isn’t a good book. At the time, I was not sure I agreed with her. If you asked me a few years ago, I would definitely have disagreed. Today, I am not so sure. To […]
The Master (R)

Those who admire the films of Paul Thomas Anderson are no strangers to the labyrinths his thematic puzzle boxes construct — one could probably watch Magnolia half a dozen times in the span it would take to unravel all of its mysteries — and yet, The Master lingers tantalizingly even above this, the most oblique […]
Gran Torino (R)

Walt Kowalski (Clint Eastwood) is a tall, white-haired, racist veteran of the Korean War trying to make sense of a changing America. The enjoyment he once found sharing his neighborhood with white folks has morphed into abjectly watching Hmong immigrants invade the homes around him. Faithful dog on one side and case of Pabst Blue Ribbon on the other, Walt is the weathered remnant of an America gone by.
Spider-Man 2 (PG-13)

According to FilmFisher’s rating system, to award a film the perfect 5-fish rating is to claim the film is “not merely a towering achievement in its genre” but also “makes ardent strides towards virtue and offers the viewer an acute and profound entrance into the ancient discussion of human excellence and the transcendence of God.” I am willing to make all these claims about Spider-Man 2.
Hell or High Water (R)

While the wild west has certainly evolved in the past two hundred years, Hell or High Water evokes the power of romantic frontier stories. This contemporary west is a stage for gunfights and thunderstorms as well as casinos and car chases. It’s a west where cowboys carry smartphones and drive new trucks, but also wear […]
A Canterbury Tale (G)

In this strange season we currently find ourselves in, I occupy more time than ever before by reading books and watching films. A little over a month ago I watched something of a forgotten gem — British duo Powell and Pressburger’s A Canterbury Tale — and not a day has passed since that it hasn’t crossed […]
The Invisible Man (R)

In the early days of cinema, just after the introduction of sound, many of the cinematic genres we’re familiar with today were crystallized by particular studios who focused their efforts on certain niches. Universal Pictures had the horror market cornered with their adaptations of late 19th century literature, like Bram Stoker’s Dracula, Mary Shelley’s Frankenstein, and HG […]
Black Christmas (R)

It’s fitting that, about three-quarters into Bob Clark’s yuletide chiller Black Christmas, I almost laughed out loud when a character exclaims in a panic, “The calls are coming from inside the house!” Before watching, I’d been unaware that the iconic line now synonymous with the horror-slasher genre had originated here, knowing it only as an […]
Prince of Darkness (R)

It’s an extremely unfortunate bit of irony that John Carpenter’s magnum opus, unquestionably The Thing (which itself is the pinnacle of 1980s horror, but I digress), was a huge commercial failure. Misunderstood at the time and subsequently written off, Carpenter’s greatest work almost became his biggest downfall. His career would stabilize but never fully recover. I often think […]
The Tree of Life (PG-13)

“I give you my son.” In terms of theological scope and artistry, The Tree of Life is an essential Christian masterpiece. Like the Sistine Chapel, like Handel’s Messiah – like these two masterworks, Tree of Life spans from creation to new earth. The entirety of our existence. Our place in the created order. Is it esoteric? […]
Apocalypse Now: Final Cut (R)

Mistah Kurtz – he dead. This bleak pronouncement closes Joseph Conrad’s 1899 novella, Heart of Darkness, and opens T.S. Eliot’s 1925 poem, The Hollow Men. Francis Ford Coppola’s 1979 film, Apocalypse Now, completes the circle by following the outline of Conrad’s novella – a voyage up a river to find a madman named Kurtz – and […]
Casino Royale (PG-13)

“Bond, James Bond” is one of the most ubiquitous names in modern western culture – a name that has become synonymous with a particular brand of lightweight sensuality. The last fifty years have seen the release of over twenty James Bond movies, and even those who have never seen one know exactly what they are all […]
Under the Silver Lake (R)

“Used to be, a hundred years ago, you know, any moron could kinda wander into the woods and look behind a rock or s–t and discover some cool new thing, you know? Not anymore. Where’s the mystery that makes everything worthwhile? We crave mystery ‘cause there’s none left.” These musings come from Under the Silver […]
Godzilla (2014) (PG-13)

When was the last time you saw a big-budget movie that was remarkable for its craftsmanship? The blockbusters that swarm cinemas every summer often invoke the name of Steven Spielberg, but precious few modern summer movies approximate the skill and patience of his original, 1975’s Jaws, the one that (together with Star Wars in 1977) […]
Extremely Wicked, Shockingly Evil and Vile (R)

Moviegoers of 2019 have become familiar with the phrase “Part of the journey is the end” through that really popular superhero movie you may have seen. Something similar to that now-famous truism presents itself through the latest Ted Bundy film. In the case of the Bundy film, the lesson learned is that the end often justifies the […]
Guardians of the Galaxy, Vol. 2 (PG-13)

I have a strange history with the Guardians of the Galaxy movies. When the first film came out in the summer of 2014, I was completely taken in by it and willfully ignored the friends who told me it was bad – until I watched it one time too many and veritable scales fell from my […]
Iron Man Three (PG-13)

As the fishes above attest, this is not going to be a grand apology for an overlooked masterpiece. I am merely offering a few modest words on a film’s modest merits. In the rush of Marvel movies released since its premiere in 2013, Shane Black’s Iron Man Three has largely been forgotten – a victim […]
The Conjuring 2 (R)

The message that emerges from The Conjuring 2 is simply this: home is where the father is. More pointedly, home is where the faithful father is. The Hodgsons are a family with no father, and their lives are objectively and demonstrably the worse for it. Their biological father’s abandonment left the family exposed – exposed to grinding poverty, the stresses that accompany it, and bullies of all sorts. Ed reverses this trend, restoring function, hope, and faith to the home. Conversely, when Ed is eventually driven from the home through deception, the Hodgson family crumbles – emotionally and in terms of their safety.
Eternal Sunshine of the Spotless Mind (R)

Eternal Sunshine of the Spotless Mind, the sophomore film of director Michel Gondry, has a flawless screenplay. Its tale is one of a shy man named Joel (an inoffensive Jim Carrey) and a girl he falls in love with after meeting her at a train station in Montauk, a girl by the name of Clementine […]
The Assassination of Jesse James by the Coward Robert Ford (R)

It’s a well-known fact: the cinematic year of 2007 was one for the ages. Those fortunate enough to live through it remember the year fondly; those who, like myself, thrived at that point on a steady diet of Veggie Tales and Disney’s Homeward Bound, admire it from afar in wistful retrospect. In perhaps the best […]