DVD / Bluray
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Catching Fire (PG-13)
On the one hand you have Athanasius contra mundum, and on the other hand, Fifty million Elvis fans can’t be wrong. I’ll confess equal sympathies for both dictums. The Truth is a Man, a single Man, and He does not depend on massive crowds to give Him cultural validity. His cult is the genesis of […]
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The Truman Show (PG)
Apocalyptically speaking, falling stars signal the end of the age, a coming political revolution, for the celestial lights represent rulers. The fall of one star foretells the rising of another and we have just such an omen in an early scene of The Truman Show: a halogen light with “Sirius (9 Canis Major)” written on it […]
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Restless Heart (Not Rated)
I had eagerly anticipated seeing Restless Heart (2013) ever since I read about the film’s inauguration at select theaters and churches throughout the United States last year. Someone is making an entire movie dedicated to one of my favorite faith heroes? Holy cow! Like many other people of Christian persuasion, I cherish the story of Saint Augustine, and […]
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A Serious Man (R)
Various Christian media outlets championed True Grit as the acme of the Coen brothers work with religious material, although I think A Serious Man renders True Grit as hollow as a flintlock gun barrel. Of all the qualities the film owns which might be discussed, the passage which immediately follows the prologue is of peculiar […]
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Inception (PG-13)
In the same way genealogies provide foundation for expounding upon and explaining the personhood and character of real human beings, so any good author deserves to have any individual work placed into the context and trajectory of their oeuvre. Whether or not Christopher Nolan is a good man, I cannot say, although by this point […]
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The Bling Ring (PG-13)
The Bling Ring is not an ambitious movie. The show might be aptly criticized for not being ambitious enough, but then I think moviemaking as a whole might collapse under the weight of such a demand. In truth, there are less than a dozen ambitious filmmakers alive. You say there are more. I say there […]
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Blood Diamond (R)
Edward Zwick is a romantic. With his films: Legends Of The Fall, The Last Samurai, and Defiance, the director/producer’s style is clear. He revels in grandness; relishes sweeping shots and heart-tugging stories. But this isn’t a problem. Quite the contrary. His films come off not like documentaries voiced by Oprah, but as impressive and beautiful […]
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Pacific Rim (PG-13)
I remember as a child having near hallucinogenic nightmares after watching Jurassic Park for the first time on our old black and white, sixteen-inch television. After not being able to sleep at all the night after, I wanted to watch it again the next day. Such is the magic of cinema, I suppose. A well […]
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Prisoners (R)
If it is fair to go by numbers, movies about demons are both cheap and easy to make. Depending on how broadly you are willing to define “demon,” I would wager something demonic hits an American theater once a month. The never-ending spate of creepy kid movies which yet issue forth from The Ring’s wake, […]
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Junebug (R)
In Flannery O’Connor’s seminal lecture Some Aspects of the Grotesque in Southern Fiction she uses the expression “Christ-haunted” to describe the South. Since first reading this, I have been haunted by this idea of Christ-hauntedness. She goes on to say that the Southerner “who isn’t convinced of it, is very much afraid that he may […]
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24 Questions for Sunshine (R)
“Cinema is truth at 24 frames per second.” -Jean-Luc Godard “Cinema is lies at 24 frames per second.” -Michael Haneke One of the most important components of interpretation is the peerless act of questioning. Frequently the question carries value even apart from an answer and the right question will always outwork an easy answer. The […]
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A Charlie Brown Christmas (G)
“Show, don’t tell” is the oldest law of storytelling, that thing which frustrated short fiction profs shout, mutter, whisper, beg and plead over and again in student workshops. “Don’t tell me Pat is angry. Show me. Did he lower his voice? Did he take deep breaths and shake his head? What?” And yet, the oldest […]
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The Magnificent Ambersons (G)
Orson Welles’ movies are generally too good to be simply “issue” movies. Citizen Kane is conversant about “the press.” Touch of Evil touches on “corruption.” The Magnificent Ambersons raises the question of “industrialization.” But the movies always invest more deeply in characters and the strangeness of human behavior. Using an “issue” of the day as […]
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A Christmas Carol (1938 Version) (G)
Of all the works of Charles Dickens, A Christmas Carol may have acquired the most settled place in the popular imagination. It is one of a very few books which one need not even have read to recognize a character from a picture or a well-worn quotation. It is also the simplest major work composed […]
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The Fountain (PG-13)
In early 2002, fresh off the cult success and critical acclaim of his first two films Pi and Requiem for a Dream, Darren Aronofsky began production on The Fountain, a film based on a grand vision with a much grander budget than any of Aronofsky’s previous work. Producer Eric Watson described it as, “the movie […]
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No Country for Old Men (R)
This Best Picture of 2007 captures the bleakness of human existence with its harsh Texas landscape and pitiless villain. Llewelyn Moss finds some money, takes it, and is ruthlessly pursued by Anton Chigurh. The lines of brutality and brotherhood are hazy between them. The movie seems to promote fate and despair, but it actually has […]
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Trance (R)
Trance is a labyrinth without a string leading out. While anyone sitting down to watch might expect a director of Danny Boyle’s caliber (Sunshine, 28 Days Later) to provide that string, the third act of this film was well underway before I realized there could be no satisfying escape. Somewhere in his house, I imagine, […]
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The New World (PG-13)
When The New World arrived in 2005, it was met by two types of reviews. Many critics understood it as an epic work of poetic genius, offering glowing praises for the revolutionary storytelling and arresting eye of the film’s writer/director, Terrence Malick. However, more than a few critics and most moviegoers found the film wanting. […]
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The Mission (PG)
In the first half of the 18th century the Jesuit order, an evangelical and zealous Catholic branch of Franciscan monks, undertook missionary work to the Indian tribes in South American jungles. Impressive by any standard, they unabashedly sacrificed comfort, well-being and their own lives for the sake of preaching the Gospel to the aboriginals. The […]
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True Grit (G)
Well, not really women, since True Grit stars a fourteen-year-old girl with John Wayne in his only Academy-Award-winning role. He plays Rooster Cogburn, a name that captures his arrogance and stubbornness. Wayne fulfills our expectations as a bandit-chasing U.S. Marshal but surprises us with his soft side. He calls Mattie (Kim Darby) “little sister”. He shifts between […]