In Theaters
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Jersey Boys (R)
It is unfair to condemn a pop music biopic for its family resemblance to most any other entry in the genre, since the history of one pop act’s rise and fall is more or less the same as another. Clint Eastwood’s Jersey Boys is by turns a light-hearted, then solemn account of ‘60s hitmakers Franky Valli […]
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The Amazing Spider-Man 2 (PG-13)
All superhero reboots have the same binary job description: act like their predecessors never existed, and then be consciously better than their predecessors. 2012’s The Amazing Spider-Man accomplished both in spades. Andrew Garfield brought more charisma to the title role than the departing Tobey Maguire (who has about as much of that vital essence as […]
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The Quiet Ones (PG-13)
More than other genres, horror movies invite us to pay attention to filmmaking itself. We watch the edges of the frame, tense up along with the music, and hold our breath for the slightest footfall or door creak. As a quick exercise, spend some time watching trailers on the iTunes movie trailers page . You will […]
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Edge of Tomorrow (PG-13)
“I always say, ‘If I could start my marriage over, I would do this or that differently.’ But I’m flattering myself. My marriage starts over every day, and there are things I don’t do differently. Everything starts over every day.” I said something to this effect at confession several months ago. I often feel as […]
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Million Dollar Arm (PG)
Whenever a movie is sold as a “feel good” movie (inevitably the “feel good movie of the year”) I feel my heart grow cold despite the assured “heartwarming” results. It’s even worse when it’s based on a true story. Often this sort of fare is as savory as the organic pellets soaked overnight to be […]
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Godzilla (PG-13)
By this point, further cries and moanings over the seemingly endless procession of reboots and remakes of too many franchise pictures must themselves begin to have the air of reboots and remakes, but I beg your forbearance nonetheless as I add just a few more paragraphs of reproof. Godzilla, starring Ken Watanabe, Aaron Taylor-Johnson and […]
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Joe (R)
Joe Bageant tried to summarize rural Southern life with his book title, Deer Hunting with Jesus. With his new movie Joe, David Gordon Green presents the South’s Goth image, one that might be described with a title such as Deer Hunting, but Jesus Couldn’t Make It This Weekend. All of the classical tropes of a […]
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God’s Not Dead (PG)
Novelist and career film reviewer, Graham Greene, insisted that any decent critic requires two things to get along in their work: “material for his analysis—for comparison and instruction—and a mind which, however sympathetic, is not prone to quick enthusiasms.“ Many a film, though, has resisted Greene’s ideal critic and opted instead for courting the already […]
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Draft Day (PG-13)
His career has had its ups and downs (i.e. Waterworld), but since 1988, with the release of Bull Durham, Kevin Costner has been the dean of the American sports movie. Whether he is building a baseball diamond in the middle of a cornfield (Field of Dreams) or making the most remarkable hole-in-twelve at the US […]
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The Grand Budapest Hotel (R)
With special thanks to Jon Paul Pope, who talked this film over with me, helped draw out my own ideas, and whose own ideas are variously represented here. In Ecclesiastes, Solomon says, Do not say, “Why were the old days better than these?” For it is not wise to ask such questions. These may or […]
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Captain America: The Winter Soldier (PG-13)
Purity is a hard sell, particularly to Hollywood. Its very presence shines a light on lesser qualities, it is a rude virtue, the byword of arrogance, and, to take Hollywood’s view, guilty of the chief sin of being dull. Our cultural revolt against the Puritans as stodgy, strict, morose and over scrupulous is not due […]
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Mr. Peabody and Sherman (PG)
Walking into the multiplex, I looked forward to Rob Minkoff’s Mr. Peabody and Sherman with an anticipation I usually do not feel for animated cartoons. Mr. Peabody’s Improbable History, the source material for this new release, stands high among the best animated series of all time and has been unjustly neglected by those who profess […]
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300: Rise Of An Empire (R)
Some days call for dumb movies. Every now and then, on a late night or a quiet Saturday afternoon, there’s reason enough to watch something that will advance your psyche in no way. I admit it. I’d even go so far as to allow Zack Snyder’s 300 (the 2006 one) to be such. Maybe. It […]
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Noah (PG-13)
What follows is a conversation between Joshua Gibbs and myself on the work of Darren Aronofsky, culminating in a lengthy discussion of Noah, the director’s most recent work. Of course, this conversation is not exhaustive. Most of his films are here discussed in generalities, individual works are mentioned to highlight commonalities in his catalog. We […]
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American Hustle (R)
It is possible to walk away from David O. Russell’s American Hustle with an unchallenged, unalloyed understanding of the word “American”— the quantity of leisure suits and Jersey accents alone put to rest any doubts about which America we’re dealing with. The same can’t be said of that other word, “hustle.” There is too much […]
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Non-Stop (PG-13)
There was a time when Liam Neeson seemed to need such a foreign-sounding name. He played Oskar Schindler, the sensualist-turned-saint who saved a thousand Jews from Hitler’s hands. He played Michael Collins, the fiery revolutionary, and the strangely pious Rob Roy. Anymore, though, I think Liam might as well be a Jack or a John, […]
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Son of God (PG-13)
Cinematic adaptations of the earthly life of Jesus Christ must all, in a sense, disappoint for one of two reasons. They are either handicapped by a nervous fidelity to the text of the Four Evangelists, and thus lose themselves in a sea of pious tedium, or, moved by a spirit of whimsical heterodoxy, they introduce […]
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Jack Ryan: Shadow Recruit (PG-13)
Approaching a film directed by Kenneth Branagh, I cannot pretend my expectations were low. Of all the actors of our generation, Branagh ranks in the elites. His understanding of characters and strong story telling has consistently shown him to be more than a passing phenomenon. His work in the Shakespearean genre alone is dazzling. Let […]
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Labor Day (PG-13)
If the development of an artist’s career did in fact advance logically, Jason Reitman’s next film would be a new version of Peter Pan wryly punctuated by voice-over commentary from an older, slightly worldlier Wendy Darling. All of his major films (excepting 2007’s Juno) have a markedly boyish tone to them, and the nature of […]
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Winter’s Tale (PG-13)
In his adaptation of Mark Helprin’s Winter’s Tale, Akiva Goldsman shows himself the true student of longtime collaborator Ron Howard, whom he has for many years served as principal screenwriter. What unites these two men is evidently a shared attraction to stories driven more by emotional force than any question of great moral interest. Any […]