In Theaters
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Big Hero 6 (PG)
A group of misfits band together to stop an evil, mysterious villain and become an unlikely team of superheroes. No, that wasn’t a one-sentence description for this summer’s Guardians of the Galaxy; it’s a one-sentence description for this fall’s Big Hero 6. Big Hero 6 focuses on child prodigy Hiro (Ryan Potter), who is encouraged […]
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Whiplash (R)
“I’d rather die drunk and broken at 34 and have people at a dinner table talk about me than live to be rich and sober at 90 and nobody remember who I was,” says Andrew Neyman (Miles Teller), the protagonist of Damien Chazelle’s sophomore feature film Whiplash. Andrew wants to be a great drummer – like […]
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Interstellar : Do Not Rage (PG-13)
“Do not go gentle into that good night,” says the old scientist. “Rage, rage against the dying of the light.” These lines, repeated throughout Christopher Nolan’s film Interstellar, are used to signal a fight for survival. Humanity is on the verge of starvation; abuse has broken the earth and blight has wiped out all crops […]
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Nightcrawler: It’s A Free, Free, Free, Free Country (R)
Early in Nightcrawler, Lou Bloom sits with his back against a palm tree, staring at a white sand beach under the California sun. Behind him, a bicycler dismounts and chains up his bike. Bloom smiles. The scene cuts to Bloom pawning the same bike. In any other film, such a scene would stretch our credulity. […]
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Fury (R)
The most memorable character in Fury is Don Collier, or “Wardaddy,” the weathered commander of a tank – the eponymous Fury – in the final days of World War II. Wardaddy (Brad Pitt, exceptional in a role that nevertheless falls short of his best work) is a man of contradictions: he emanates grim, detached pragmatism […]
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John Wick: A Lot Of The Old Ultraviolence (R)
My qualms began with the poster. The show hadn’t even started. The film is called John Wick and the tagline is, “Don’t set him off.” The latest Keanu picture sits at the end of a long line of pun-titled actions films, like Max Payne or The Dark Knight. The title brings together the identity of […]
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The Judge (R)
Light is a universal symbol of truth. Though we associate it with warmth and openness, light carries a burden of pain as well. Stare into a floodlight and your eyes will water. Lasers—concentrated beams of light—can burn and cut as well as repair. Sometimes a light is so blinding that it obscures all but itself. […]
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Gone Girl (R)
For a film which depicts one of the more grotesque murders in recent cinematic memory, the most terrifying moment in Gone Girl is nothing more than the film’s hero being asked a few seemingly mundane questions about his missing wife by a pair of bored cops. Shortly before noon, on his fifth wedding anniversary, Nick […]
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No Good Deed (PG-13)
No Good Deed is a genre piece pleasantly confident within its limitations. Its direction, script and acting all equally disclose an unimaginative professionalism that bears comparison to any number of films of a similar mold. While it must be admitted that the break-in suspense flick is hardly a genre with many permanent classics (the Audrey […]
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Calvary (R)
Collective guilt might be unjust, but sometimes it is inevitable. That, at least, is one of the conclusions to be drawn from Calvary, John Michael McDonagh’s drama about the clerical abuse scandal which, ironically, does not feature a single frocked predator. This is because Calvary is not about the bad priests who caused the scandal, but about a single good priest left to deal with its consequences.
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Guardians Of The Galaxy (PG-13)
Sometimes you go to the movies with the need to hear a solemn complaint voiced. You need to hear the dignity of creation reaffirmed. You go to hear Jessica Chastain say to God, “Where were you?” as she laments the untimely loss of a son. You go to the movies in the Fall, when the […]
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The Giver (PG-13)
A brilliant sunset. A wedding dance. The color red. Each person who reads these words will see a unique image. Humanity may share experiences, but because of our memories—and our emotions—we approach these commonalities in vastly different ways. Variety and choice aren’t just the spice of life. They make us human. In The Giver, a […]
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Boyhood (R)
Boyhood is heartbreaking for this reason; in a scant 164 minutes this mortal life is seen in full Solomonic brevity, breathlike and fleeting. Mason (Ellar Coltrane) is six when the film begins and he ages, along with his co-stars Ethan Hawke, Patricia Arquette and Lorelei Linklater, at such a breakneck pace that there’s an inescapable desperation over youth, its opportunities and misfortunes.
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A Most Wanted Man (R)
The surveillance state has a human face. In A Most Wanted Man’s telling of it, it is the gruff, unshaven, alcohol-bloated, nicotine-addled visage of Gunther Bachmann (Philip Seymour Hoffman), a spy who looks like he has a way to travel before he can come in from the cold. As the lead field agent of a […]
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How to Train Your Dragon 2 (PG)
Pet dragons, taken as a whole, are worth any trouble they might cause. At least that’s what the Vikings of Berk have learned five years after the chief’s son, Hiccup, trained his first dragon. How to Train Your Dragon 2 endeavors to fly above its predecessor but, like many sequels, fails to capitalize on the […]
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Dawn of the Planet of the Apes (PG-13)
Thomas Hobbes argued that the natural state of human affairs is one of universal conflict—all against all, neighbor against neighbor. That he failed to apply this dictum to hyper-sentient apes can be excused as the myopia of the seventeenth century. One escapes this warlike state of nature—perpetual war with one’s neighbors—says Hobbes, by banding together with […]
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America: Imagine the World Without Her (Not Rated)
The title of America: Imagine the World Without Her is a misnomer for which a marketing consultant should be sacked. Despite a few brief special effect images, I did not walk away from this docudrama with any sense of what the world would be without America. Aside from suggesting that had George Washington died in battle, Mt. […]
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Snowpiercer (R)
Joon-Ho Bong’s Snowpiercer starts with an intriguing premise: the world has frozen solid after a global warming experiment gone wrong, and all of humanity now inhabits a high-tech train that perpetually circles the earth. (Train wreck jokes would, perhaps, be too obvious.) Snowpiercer squanders this premise on a hackneyed tale of the struggle between the […]
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Transformers: Age Of Extinction (PG-13)
You can learn a lot about Michael Bay by the numbers. In the last twenty years, he has directed eleven films, and all but two were released in June or July. All his films but the first, Bad Boys, top the two hour mark, and more than half exceed two and a half hours. The […]
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Jersey Boys (R)
It is unfair to condemn a pop music biopic for its family resemblance to most any other entry in the genre, since the history of one pop act’s rise and fall is more or less the same as another. Clint Eastwood’s Jersey Boys is by turns a light-hearted, then solemn account of ‘60s hitmakers Franky Valli […]