In Theaters
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Macbeth: Post-traumatic Stress and the Pre-Christian World (R)
Shakespeare wouldn’t be Shakespeare if we did not have reasons to argue about him. Part of what makes his plays so enduring is their ability to tolerate the conjunctions “both … and …” However, it does make writing about him always a challenge, even though thousands (millions, if you include students) have done so before. […]
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Creed: Winning the Fight for Relevance (PG-13)
An athlete born in the year (1976, that is) that Rocky Balboa first fought on the silver screen would probably be nearing retirement now, if he or she had not retired already. But Balboa himself (played, as always, by Sylvester Stallone) keeps turning up. This is not without risks of seeming exploitative. Worse, it is not […]
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Spectre (PG-13)
“My name is Lester Burnham,” intones the protagonist of Sam Mendes’ debut film, American Beauty. “This is my neighborhood. This is my street. This is my life. I am 42 years old. In less than a year, I will be dead. Of course, I don’t know that yet, and in a way, I’m dead already.” […]
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Drunk gods: Victor Frankenstein (PG-13)
When I remembered that Igor was never a character in the original Frankenstein story, I began to expect less of Victor Frankenstein, which makes Igor its main character. When I discovered that this version’s Frankenstein lives in a steampunk London, my expectations lowered yet more. They would descend much lower still. This is a shame, […]
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The Martian: The Art of Not Knowing a Place for the First Time (PG-13)
If there is a reason why Americans do not easily cease from exploration it is because, for us, knowing a place for the first time is a horrifying prospect. English colonial writers had a sense of place and Russian novelists a sense of space, but Americans have always been most at home on the frontier—a […]
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Sicario: The World after the Monopoly of Violence (R)
If Sicario wants you to know one thing, it’s that good fences make good neighbors; especially wrought iron fences, fences that are topped off with razor wire, lined with infrared cameras and maybe have a guard tower with a mounted machine gun or two every half mile. To see the film’s portrayal of Mexico, one […]
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Black Mass: The Cost of Looking the Other Way (R)
Bostonians can rest assured that, unlike his earlier crime film Out of the Furnace, their home city is portrayed as being remediable. It does not even seem to be particularly corrupt. What it is, however, is tribal, with the Irish and Italians constantly at one another’s throats. It is a tribalism which not only defines allegiances in the criminal underworld but also among police and federal authorities.
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The Man From U.N.C.L.E., or, “The Anti-Kingsman” (PG-13)
In his essay, “Kingsman and the Maybe Genius of Non-Winking Satire,” Hulk Film Crit makes the rather bold assertion that Matthew Vaughn is a kind of blockbuster Martin Scorsese. As different as their methods may be, Hulk argues that their intentions are deeply similar: both approach ugly subjects with a brutal honesty that acknowledges the allure […]
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The Fantastic Four: It’s Not Getting Better (PG-13)
When I went to see The Fantastic Four, I was expecting what I usually expect from adaptations of Marvel comics: I didn’t think that it would be particularly memorable, but neither did I expect it to be particularly bad. I was wrong on both accounts: It was memorably bad. I understand that I was probably […]
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Ant-Man: A Humble Beginning (PG-13)
When a new planet swims into the ken of the Marvel cinematic universe, the gravity must be intense. Like stout Cortez staring at the Pacific for the first time, the wonder of new discovery quickly gives way to acquisition and assimilation. After several rounds of feature-length introductions to The Avengers, Ant-Man is an unexpected departure […]
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Mission: Impossible – Rogue Nation (PG-13)
When the theatre lights go down, Mission: Impossible – Rogue Nation starts to play the breathless beginning of Lilo Schifrin’s famous theme before the Paramount Studios mountain has even left the screen. With the Mission Impossible franchise now securely established, this is not a film that intends to waste time winning over its audiences. No, […]
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Mr. Holmes: When Logic Fails (PG)
From the beginning, Sherlock Holmes stories were as much about the interplay between logic and emotion as about ash-dust and ciphers. Holmes symbolizes the pinnacle of reason and remove, yet he comes to need the compassion and friendship of Watson. Mr. Holmes playfully snubs the Watson accounts as exaggerations, but the titular detective needs friendship […]
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Paper Towns: The Teen Whisperer Mumbles (PG-13)
I know only of John Green what Hollywood has told me, which means Paper Towns is but my second venture into the mind of “the Teen Whisperer,” as Margot Talbot once referred to him in The New Yorker. As with The Fault in Our Stars, the characters in Paper Towns are self-reflective and hungry, but […]
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Inside Out: The Problem of Sadness (PG)
In his iconic work, Mere Christianity, C.S. Lewis said, “Even in literature and art, no man who bothers about originality will ever be original: whereas if you simply try to tell the truth (without caring twopence how often it has been told before) you will, nine times out of ten, become original without ever having noticed it.” […]
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Self/Less (PG-13)
Self/less is the latest example of an increasingly common type of thriller, to which, for lack of a pithier designation, I will refer to as the “Idiotic As It Seems, It Might Also Actually Happen Soon” movie. Normally this type of story will involve a character in some sort of life crisis who undergoes a […]
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Jurassic World: It’s No Wonderful Life (PG-13)
“Oh, my God! We finally, really did it! You maniacs….Ah, damn you! God damn you all to hell!” The righteous invective Charlton Heston bellows in the final moments of The Planet of the Apes seems similarly suited to the resurrection and public opening of Jurassic Park. Bewilderingly, though, Jurassic World (both the film and the […]
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Tomorrowland (PG)
In the opening minutes of Tomorrowland, a young boy shows us his homemade jetpack. It is meant to be fun and inspiring, but has one problem: it doesn’t work. It’s always nice when a movie hands you a metaphor for itself. It’s not nice when that movie breaks your heart in the process. There may […]
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It’s A Mad, Mad, Mad Mad Max (R)
It’s hard to appreciate paganism properly. I can’t think of many convincingly pagan characters from motion pictures, because most cinematic pagans are nothing more than Republicans or athletes in togas. They talk like us, think like us, dress like us dressing like pagans, opine like us. Our ancient Greeks are suffragettes and our ancient Egyptians […]
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Avengers: Age of Ultron (PG-13)
Halfway through Avengers: Age of Ultron, the eponymous robot waxes poetical and says to a few of his cronies, “Everyone creates the thing they fear.” It’s possible that this line was added by the writer and director, Joss Whedon, as an indication of how he felt about this movie. In many ways, Ultron is not […]
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Ex Machina (R)
Ex Machina derives its title from the Latin “Deus ex machina,” meaning “god from the machine.” The film’s removal of God from its titular equation is apropos, as is the allusion to classical tragedy. In this polished directorial debut, Alex Garland (writer of 28 Days Later and Sunshine) has crafted something of a modern Greek […]