New on DVD / Bluray Archives - FilmFisher

You Were Never Really Here (R)

Lynne Ramsay’s 2018 film You Were Never Really Here begins with a sigh — or perhaps more of a gasp. We’ve cut from a black screen to an image of Joaquin Phoenix’s character Joe, his head wrapped in a plastic bag, slowly breathing in and out. With each exhalation the bag inflates, allowing space, breathing […]
God’s Not Dead: A Light in Darkness (PG)

When a movie studio produces the third installment in any series and that longed-for beast — that monetary white stag — the franchise, promises to emerge, they face a watershed question: numerals or subtitles? Historically, the dilemma has proven a little more complex than two roads diverging in a yellow wood. While some (recently, the […]
In the Mouth of Madness (R)

Last month, I had the pleasure of attending a horror triple feature at the Egyptian Theater that was a part of an ongoing series known as “New England Nightmares.” To be perfectly honest, New England has always been the perfect setting for ghost stories and horrifying haunts. It is a landscape where an original way […]
Blade Runner 2049 (R)

Though it has now haunted me for nine months, when I first saw Blade Runner 2049, I did not find it very impressive. The Blade Runner of 1982 is a mad miracle of a movie and a hard act to follow. Though it would not likely be considered a very good film by most conventional metrics, it is […]
Star Wars: The Last Jedi – An Explication (PG-13)

Although I have waited till now to publish any written thoughts on the film, it is fairly common knowledge in various circles of the internet that I do not much care for Star Wars: The Last Jedi. The number of fishes above might also indicate this, though I have found it difficult to settle on a rating for the film, because my thoughts and feelings on it are mixed – conflicted, one might say.
Downsizing (R)

At the beginning of Downsizing, we meet Paul Safranek (Matt Damon). He dropped out of med school to take care of his mother in his cluttered childhood home. They talk about the recent breakthrough of miniaturizing people, which can shrink a person down to five inches tall. Apparently, this process will save the world from […]
Annihilation (R)

Like Alex Garland’s first film, Ex Machina, Annihilation is a tense, well-paced story set in an oppressive environment and haunted by an uncanny terror. The score is dissonant and unsettling, the rules that govern the world are mysterious yet coherent, and its horror scenes are truly chilling. Lena (Natalie Portman) is a former soldier turned […]
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The Shape of Water (R)

Note To Readers: This review contains a frank investigation of a perverse film, and necessarily must describe some its perverse content and ideas. Given the film’s import and influence, the editor commends this review to readers who are old enough to have seen it. Younger readers who have not seen the film will not likely benefit from […]
Phantom Thread (R)

Paul Thomas Anderson is one of the very best American filmmakers working today, and quite possibly the most interesting. His mastery of the craft is nearly unparalleled, placing him on that elusive, immortal plane where the likes of the Coen brothers, Martin Scorsese, and Steven Spielberg currently reside. Yet what sets him apart, even among such esteemed company, is how perplexingly eclectic he is.
Lady Bird (R)

There are a great deal of moments in Lady Bird that made me feel as though I were looking into a mirror, nostalgic for a past that was incredibly close to Lady Bird’s. Those moments weren’t always the funny ones, to be perfectly honest. Those moments weren’t always the funny ones, to be perfectly honest. I distinctly remember squabbles with my parents, feeling as though I were independent enough at seventeen not to need their approval.
Beyond the Mask: Parable or Fluff Film? (PG)

Some stories shun a theme or philosophy or moral—they are meant purely for enjoyment. No one gets much moral edification from The Three Musketeers, but it remains a classic because we enjoy reading it. Die Hard has remained popular not because of any deep and lasting truths, but because it’s macho eye candy. These movies […]
Judging Your Neighbor : Two Days, One Night (PG-13)

Jean-Pierre Dardenne and Luc Dardenne, the Belgian co-directors of Two Days, One Night, capture the spirit of a modern day Dickens, but without the maudlin Victorianism. The Belgian natives stick to the lower class in their films using a documentarian hand-held camera; frequently using available light, unknown actors, eschewing soundtracks, tracking shots and big budgets, […]
Jupiter Ascending: Descent to Some Kind of Love (PG-13)

Conjure, if you will, a moving image of the hippest rollerblader you’ve ever seen. If you are strapped for stock images, try the reuniting-the-team segment at the front end of D2: The Mighty Ducks, or some other nineties vintage of the same ilk. Now, hoist that rollerblader twenty, thirty, a thousand feet into air—the same […]
Song of the Sea (PG)

The first words of the Tomm Moore’s Song of the Sea are a quotation from Yeats’ poem “The Stolen Child”: Come away, O human child! To the waters and the wild With a faery, hand in hand. For the world’s more full of weeping than you can understand. In the poem, a group of fairies […]
Holy Satire: Believe Me (PG-13)

God created satire. At the end of Job—the oldest book of the Bible—God answers Job’s bitter questions with a set of his own humorous, unanswerable queries. In Isaiah and Jeremiah, God mocks idolaters by describing how useless it is to expect anything from a god made with your own hands. Humor ideally brings out the […]
Song of the Sea (PG)

Come away, O human child To the waters and the wild With a fairy, hand in hand For the world’s more full of weeping than you can understand. This quote from Yeats fittingly opens Tomm Moore’s Song of the Sea, which seeks to understand a world full of weeping through the eyes of a human […]
Welcoming the Masses?: The Good Lie (PG-13)

The beginning of The Good Lie plays like a documentary. Sudanese children frolic in a close-knit village, their words translated on the bottom of the screen. Two brothers play a game to memorize the names of their ancestors, and they tend their village’s cattle herds together. Suddenly, a troop of Northern Sudanese fighters brutally massacres […]
Locke (R)

In The Christian Future or the Modern Mind Outrun, Eugene Rosenstock-Huessy suggests that if you want to know a man, you have to talk to him on the drive to work. The Modern world has drawn thick, heavy lines between the home and the workplace, dividing a man’s livelihood from his bedroom, his office from […]
The Fault In Our Stars (PG-13)

The memento mori (“remember you will die”) is a significant part of Puritan spirituality as well as the monastic life. The benefits of reminding yourself that you will die is written into numerous ascetic prayers and the “Dialog Between Christ, A Youth and the Devil” which concludes The New England Primer both draw heavily on […]
Only Lovers Left Alive (R)

Only Lovers Left Alive is a my-favorite-things picture from independent film director Jim Jarmusch. It is a Dutch still life painting, though the fruit has been substituted with the prized possessions of the artist. It is a film filled with cool and dark things, like dirty rock and roll, night drives, death, Nikola Tesla, sunglasses, […]