"They that sow in tears shall reap in joy." The closing sequence of Fantasia (1940), Walt Disney’s daringly conceived “concert feature,” may be the zenith of the studio’s animated output. In what the film’s narrator describes as “the struggle between the profane and the sacred,” the grotesque, hellish revels of Mussorgsky’s “Night on Bald Mountain” give way to the majestic solemnity and quiet holiness of Schubert’s “Ave Maria.”
Every now and then, people will say that such and such a city or town "becomes a character" in such and such a film. Usually, this means the locale is depicted in a particularly vivid way or has an especially striking bearing on the plot or atmosphere of the film. For this month's Undefended, FilmFisher's writers picked the five best cinematic depictions of cities and towns onscreen.
At the end of December, it is customary for FilmFisher's writers to assemble "best of the year" Undefended lists. However, given the relative deficit of new releases in 2020, FilmFisher's writers picked the 5 best films they saw all year, regardless of release date.
Brian De Palma. Steven Spielberg. M. Night Shyamalan. David Fincher. Over the years, any number of filmmakers have been hailed as "the next Alfred Hitchcock," though the title rarely sticks for long. This month, FilmFisher's writers picked the best Hitchcock films Hitchcock never made.