According to FilmFisher’s rating system, to award a film the perfect 5-fish rating is to claim the film is “not merely a towering achievement in its genre” but also “makes ardent strides towards virtue and offers the viewer an acute and profound entrance into the ancient discussion of human excellence and the transcendence of God.” I am willing to make all these claims about Spider-Man 2.
There is nothing damagingly, damningly wrong with Spider-Man: Far From Home that would render it unwatchable. But neither is there much to commend it. To be sure, the film is uproariously funny, and the performances are engaging. The film even exceeds expectations in its action sequences. Because the set-pieces are staged live on location in European cities, instead of in wide-open spaces with bland computer-generated backgrounds, the tussles between Spider-Man, Mysterio, and the Elementals have a sense of tactility, geographical clarity, and human stakes that MCU battles have often lacked. I will also grant that the film has two show-stopping, jaw-dropping sequences that are among the MCU’s finest moments of visual storytelling. But the MCU has almost always been funny, and often to its detriment.
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